Parables of a Dark Wood

Do you enjoy reading it?

  • Yeah! A lot! Good Stuff!

    Votes: 2 40.0%
  • ehh...

    Votes: 1 20.0%
  • No, it's not my thing...

    Votes: 1 20.0%
  • Why do you always have to have something paranormal happen in your stories?

    Votes: 0 0.0%
  • it could be better and here's how ...(see post)

    Votes: 0 0.0%
  • What's up with Edward Cullen in the graphic? Is that Scarlet Johanson too?

    Votes: 5 100.0%

  • Total voters
    5

dayhawk68

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This is a novel that has been in my head since I was 13 years old. However, I am not going to put all of it on here, just the two stories I find to be most relevant to the current writing contest. In short this story is made up of little stories. It is about a father and his daughter going into the aged woods of their farm in western Ireland. The daughter is leaving soon for Oxford University in England, but before she goes this preteratural forest will unfold tales that will forever change her. With the stories her father loves and cherishes so fervantly, 18 year old Kara will continue the tradition of knowing the wisdom of the Dark Wood.
 
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Black Tree {Irony}

***note***: Story does not start from beginning, other events have happened *****​


Kara walked along side her father, not knowing what to say. They had been traveling since morning and already she had heard two stories about these somber woods. Both were as tall a tale as the tooth fairy, but for some reason it seemed her father believed them. That caused her to remain silent, and trying to figure out why he would believe such stories.

He had always been the realist, or at least gave a blunt answer to her questions. He never held back to save some one's feelings nor did he ever lie. Why, then, did he look so convinced that his stories about these woods possessed truth?

"Kara," he said taking her by the shoulders and positioning her to look in his direction, "what do you see?"

She blinked for a few moments, letting her eyes settle against the sun's light as it pierced through a tree with no leaves. "It looks like a tree, is it...is it all black?" She peered harder, and stepped a bit closer.

"Aye lassie," he said, "it's the Black Tree."

"I suppose this one has a story too?"

"Aye. But unlike the others, this one has a sad endin'."

"Well then you don't have to tell it Da, I understand. In fact, I don't want to hear a sad story."

"But you're gonna have to. This is a very important story."

"Really? Da you've told me two stories already. Do I really have to hear yet another one?"

"Get closer to it," he commanded walking with bigger steps, "and you'll want me to tell ya."

Obeying her father, Kara trudged through the ground's leaves hoping they would slow her down. She enjoyed listening to her father's way of telling stories, but how could she bare to think that her father believed these stories? He never believed in anything, not church, not government, sometimes not even in her, so how did he have such passion for these stories?

As she reached the Black Tree on the little hill in front of her, she forgot that thought when she saw faces in the trunk of the tree. Staring at them, she realized that the tree had a thicker frame than she expected. She also noted that the faces seemed to have tried to press themselves against the trunk from the inside. Once close enough to touch, she saw that the faces had such detail. So much so she could tell that four of them were children and one was an adult man. Every one of them looked as if they had been screaming.

Walking slowly around the tree, she looked up to see a noose, worn and weathered, hanging from one of the higher branches. Kara gaped at her father, as if wondering how such a tree came into existence.

"Bet ya want me to tell the story now?"

"Aye," she said.

Of all the landmarks he had shown her in these woods, this tree defiantly screamed creepy. A trench and a white well, though the well did give her a chill, seemed fairytale compared to this one.

"Come here," he said quietly, "you don't want to get too close when I tell ya about it all."

She nodded and sat beside her father on a large boulder at the bottom of the hill. He cleared his throat and rested his eyes on the tree. She followed his gaze and nearly shuttered when he spoke with a more sultry husk to his voice than before.

"Once there was a man and a woman who'd always been neighbors in these woods. She lived a little ways on that side of the bank there, and he lived right here where we're sitting. Both would come to this tree every day to pick its fruit-"

"What kind of fruit?" Kara had a hard time imagining this tree bared fruit.

"No one knows really, no one could tell. But anyways, they would talk everyday and both enjoyed each other's company. Eventually they realized that they were in love. They had the tree to thank for that, for it was when its flowers blossomed that the man saw her beauty, and it was when the tree ripened that she saw how gentle he was. She was a red haired beauty, much like yourself lassie, and he a darker colorin' to him. Needless to say they were handsome people, and their families very much agreed to their union."
"They exchanged their vows under that tree and even consummated their union under its branches. Naturally she moved into his house, well a modest cottage really. He was only a lumberjack, lowly as they come back in those days. But she loved him nonetheless. Like a true wife she didn't care about how much money he did or didn't make. For her it was bliss just being with him."

"Two years after their marriage they had their first son. Then two daughters, and after them the last son. The family all seemed very happy on the outside. Every Mass, every festival, every cousin's wedding they put on heirs of joy. But raising a family with four children was hard. The man could not afford to feed his family, especially since the woman became pregnant with the fifth child. The mother constantly heard the squeals of her children's hunger and couldn't bare to hear them like that any longer. She found the answers to her prayers in a very ****ty way if you ask me. The only thing that could save her children from starvation, was to fall in love with another man. This man, the Lord of the sector, had been flirting and making conspicuous glances towards her every morning in the first sessions of Mass. Her husband never noticed, but she did."

"Now the woman still loved her husband, despite their arguing and their lack of money. But she loved her children more. The night this tree turned black was the night she told him that she was leaving him, and taking his babies. Like her, he loved his children more than he loved her, and so, as they fought, he struck her and took the children. The woman was out for only a few minutes, but managed to see her husband step into the tree's cavern-like trunk. Now she didn't know he had her children. They had been in bed when they argued, so naturally she thought them to still be tucked safely away in their cots. She took a torch, being so enraged at her husband, and threw it at the foot of the tree where the roots bulged from the ground. And-"

"Wait," Kara interrupted again, "if it was fire that char-coled the tree, then how are the faces showing through the trunk?"

"I was getting to that. Since the tree had always been so vibrant and full of life, it carried a lot of water, more so than any tree could. It softened the bark and made the tree more flexible. Like rubber almost, but more able to bend. So when the tree burned its opening at the trunk melted shut and kept the victims in its hold. When the woman heard the terrible cries of her husband and children, she ran up to the tree. Seeing the imprints of her children's faces in the tree, she tried to put out the flames. But the flames, by this point, were too high and when she managed to disperse them her family were already encased in the tree's blackened casket. By morning the woman had found a rope, climbed high (the branches were still hard surprisingly), tied the rope around her neck, and dropped off letting the branch choke her till she saw black."

"Wow, that's some story. Now what really happened?"

"What?" Her father furrowed his brows, "That was the story."

"Da come on, that's not scientifically possible. A tree that could do all that. Da do you really believe this?"

"I sure as hell do."

"Why?"

"Me own Da told me these stories. And his Da told him, and so on and so forth. Ya know we Callaways have always had some share of this land, we know, no, we are the stories lass."
"But how do you know they're true? You don't even believe in the Holy Mother, much less God."

"My bairn you will see. Now as for the story, what'd you think."

"You're right it was sad."

"Aye...," he pursed his lips and smiled, "funny that she fell in love with him and not cared about money. Then had children, and eventually it was money, or rather the lack o' money, that killed them."

"It's also interesting that they met, wedded, and even made love under that tree. Then it became their grave stone."

"Aye, that's true. Strange how life is, always turning to ways we didn't expect."

"Is this another college lecture?"

"Well you are going to England lass, it'll be the first time you've been away from your mum and me."

"Yeah Da I know," she rolled her eyes.

"Just realize that not everything goes to your plan. And you can't hate it for not happening. Embrace the plot twists of your life, or else you'll be miserable. And know that tragedy, no matter if you believe in reaping what you sow, or karma or whatever fates are in your favor, will find you."

"Alright," she sighed, "fine. Can we continue? We have to make camp eventually."

"Aye, aye, that we do," he rose pulling up his trousers in the process, "I'll lead."

Following her father, Kara lingered at the tree for a few moments. When her father had finished the story, she had believed some artist had crafted the faces and that the rope was there for some political effect. But she stood there, so close to it that she could smell the ashes as she picked her finger nails along the trunk. The faces came to life in her mind, and when she touched them she swore she had heard each pitch of their screams.

"Kara don't doddle," her father called from afar.

She raced away from the tree, hoping, praying, she wouldn't see or feel those faces in her dreams tonight.
 
The lord referred to should be the lord of a manor. "Sector" is anachronistic. As for the story itself, it was appalling--I don't mean bad in quality, I mean effective in the appalling impact you intended it to have. Reminds me of Russian stories.
 
The lord referred to should be the lord of a manor. "Sector" is anachronistic. As for the story itself, it was appalling--I don't mean bad in quality, I mean effective in the appalling impact you intended it to have. Reminds me of Russian stories.

Well in Ireland in the early 1600s they had what was described to me as sector Lords, something like a govener over a county. At least that was how my Ap Euro teacher told me.


Im confused about the last part.
 
Well, at least it's not a CT story!! All that CT reminds me when we were inundated with Twilight stuff. Anyway, let's continue Kim!
 
Oooh, very good Dayhawk! I hope you post more soon.

well very well then, nonetheless I'm still confused by what you meant about the effectivness...
I think what Copper meant is that it was a sickening, terrifying tale, which was what you intended. We felt Kara's horror. So you wrote it very well :)
 
The Beekeeper {Love}

Fearing the next anathemactic landmark, Kara clutched her father's arm. The dried river with its graveyard of bones still haunted her. The stench of that mud, the way it filled the skulls, and even its sticky feel drifted on the surface of her memory. All the while she heard the screams of the children from the Back Tree. What other scaring stories could he have left to tell? She wondered. Looking behind her she saw the crow still following them, its blue eyes ever enigmatic. She wished he had never told the story of that stupid crow. It wouldn't have been so terrible if the crow hadn't shown up, preening his feathers and squawking, right after her father finished its story. Kara still desperately wanted to believe that these stories weren't true, but with the evidence lurking behind them denial became a luxury she couldn't afford.

"Do you hear that?" Her father asked, half smiling.

"Its like purring," she answered clutching tighter to his arm.
"We're getting closer!"

"To what?"

"You'll see, and don't worry about the crow," he looked behind them, "I noticed you keep starin' back at him. There's no need, he's a friend."

"Alright," she agreed, feeling as if she had to. What could she do about their lurking guest anyhow?

As they approached to the source of the sound, Kara's father had her stop and hide behind a thoroughly mossed oak tree. He had her kneel and keep silent. Throwing a twig into the middle of a small blue meadow- she noticed its color came from the trees-, she realized that the purring was really a buzzing. Bees as big as her pinkie, swarmed the twig. She had never seen bees the color of mint leaves and sea foam. Never had she thought it possible. Yet there they were, hovering over the twig waiting for it to move like it had when it arrived. The gape she showed her father made him nod with a wise grin. I suppose they have some healing honey or something. She thought, wonder what their story could be.

"There was once a man," he began anticipating Kara's question, "who married his beloved. Her hair was as thick and golden as honey as was her love for him. He doted on her all the time, because, unlike most of the women in the village, she was such a frail creature. A sickly little lass, unable to bear children and unable to do heavy work. It was no surprise, that when the plague swept across the isle, she fell ill, more so than the others. With every yellow spit of bile she was fading away. The man couldn't bare watching half his soul suffer so. He had fought for her attention as a lad, had worked years to convince her father that he was suited for her, and had spent most of his life wishing for her. Like hell was he going to lose her to such a demon-ed disease."

"He knew of a witch in these very woods. She had been his last resort, no other methods of medicine had prevailed, and no priest could convince God to save her. Witchcraft, to this fearsome servant of Christ, disgusted him but he had no other choice. On a day much like this, completely overcast, he visited her. He explained his situation to her, but she could not help him. She told him many had come to see her and she had to tell them the same thing. But, since she was so touched by his devotion to his wife, she told him a secret."
"About the bees."

"No. About the Keeper of the Bees."

"'Go to the south-end o' these woods, my son. There you shall find her, the Beekeeper is whom you seek. Look for a blue meadow and pray to your Christian God that she is in a givin' mood.'

'What is she?' he asked her, 'a witch? A demon?'

'A Fae. Neither woman nor Angel. Neither Goddess nor Dryad. Neither Druid nor Witch.'"

"Confused though he was, he still followed the witch's advice. He came to the south end of these woods and found this very meadow. He called for the Beekeeper, but no answer not until the sun was low and the moon was high. She appeared with flaxen hair blowing, with its feral soul, in the breeze that crept behind them. He thought she might have been fair, once, but with her eyes the color of the Fourth Horse, pale and forlorn, her beauty seemed to have been sucked away. She came toward him in slithering glides until finally an ivory hand rested on his shoulder. Her touch, as cold as a corpse, startled him but at the same time reassured that she wasn't a dream.

'Do you know of me?' She asked him, her voice heavy like honey.
'You are the Beekeeper,' he said only then seeing the bees behind her, circling their hive.

'I am the one who touches thy shoulder to take you,' she said, as if she hadn't heard what he said, 'to follow you into Darkness or into Light, and either allow thy soul to rest in the Master's Land or suffer in Beezebul's Lair. But this shall only take place with our next meeting. Until that time, I am at your bidding.'

'Please you must help me,' he begged, 'my wife is so small. She has the plague and won't live to see the 'morrow. I can't accept her death, not after...'

'Fear not I promise she will wake to see this 'morrow, if you pay the price.'
'What is the price my lady, my queen?'

'I am old,' she said touching her face, 'so old. I have come to the houses of many who have visited me before, and taken their souls to the Gates of Heaven and the Barracks of Hell. I have seen Michael, lovely Michael, and I have seen Beezebul himself, but never for my own soul. I wish not to be the keeper of these bees, these precious bees.'

'Why they need a keeper?'

'Sweet is their honey, so sweet it allows a man's life here on earth to be eternal, until the Christ slays the world. But only if you stay within the meadow. Thus you become a Keeper, given the powers of healing and wisdom. But, like with all things, debts must be paid. Only when I need a debt paid can I leave this meadow. And the debt is always death. I wish not to take you when it's your time, I wish not to live. Take my place and I promise you and thy wife shall live forever, being both Keepers.'"

"The man thought the deal over and over in his mind. He had no family of his own, but his wife had her father who was, after all, ageing. He justified, that when it was his father-in-law's time to die that they could take him to the Gates. So he held out his hand and said:

'I accept.'"

"She beckoned him to follow her across the meadow. There they stopped in front of a tree, a tree that hosted hundreds of hives.

'First you must dance with me,' she said, 'around this tree.'

He agreed and was about to take her by the waist, for a traditional waltz, but she took hold of him first. Like the Druids or wild savages, they danced around the tree and many times were stung by the bees. The Fae was of course immune to the pain of their stings, but the man was not. Often he yelped in pain and each time she told him to endure it, however, unlike most bees, there was no evidence that he was ever stung. This went on late into the hours of the night, but when the crescent moon was lowering onto the western horizon, she stopped him.

'Take this,' she said as she took a comb from one of the hives.
Clasping his hands tightly around the comb, he squeezed its cyan colored honey and let its sweetness drip on his tongue and down his throat. Before he could think another thought, he found himself laying on a soft moss in the middle of the meadow. The morning's light shone upon him and next to him, to his immense joy, was his wife with out any traces of being ill. He smiled to himself, woke his wife, and kissed her passionately. He had saved her. He wanted to thank the Keeper but she was gone, dead he supposed. But he didn't want to waste anytime mourning over her, he wanted every second of eternity to be with the one he loved."

He stopped, and looked to the meadow, escaping somewhere Kara couldn't follow.
 
"Is that the end?"

"Almost," he said.

"What do you mean?" She asked, realizing for the first time since the story began that the crow attached himself to her shoulder.

"Now we finish it." Her father said softly, and stepped into the light.
Kara followed, unsure what he meant.

But when she saw him her blood froze. A face as pale as a winter's sky slowly appeared from behind a tree. Copper hair hid his forehead, but couldn't cover navy eyes that stared intently at his new guests. Immediately, Kara dropped to her knees and hid her face in the wet grass. The crow anticipated her movement, and rested itself comfortably on her back squawking as if seeing an old friend. Kara's father didn't seem to notice her, but if he did he didn't react.

For a few moments Kara's eyes were shut tight, to frightened to have them open. But when she did open them, two white feet stood in front of her and to her right another pair of white feet. The second pair seemed to have glowed less than the first, and they stood more delicately. Cautiously looking up, Kara saw the Keeper standing above her, and next to him a ghostly blond. Kara didn't mean to gulp as her mouth slightly dropped open.
"Why do you bow?" The woman asked.

Kara looked at her father who stood solemnly. When he realized his daughter looked to him for an explanation, he gave none, only a nod to the supernaturals.

"I was afraid," she finally admitted.

"There is nothing to fear," said the Keeper, his voice raspy but somehow soft too.

"I've come back," Kara's father announced, "and I brought my daughter, Keeper. Like my Da did for me and my brothers, I request you give her fortune, because I love her."

The Keeper stared down at Kara for a long while, as if analyzing her character. Then, like a breath, he touched her face and brought her to her feet. The crow ever aware where he should be, resumed his spot on her shoulder. Kara met the Keeper's eyes, and for the first time in a long while she felt the joy in its purest form.

"And because of it," he said to her father, "She shall have my gift," he turned to Kara, "May the days of you life be filled with the joy you feel now," he said, "and hopefully the next time I see you is when you bring back your offspring so that I may give them fortune. Otherwise, I will not see you again until I come for you."

"I'll come back," she said, and for the first time since they met she wasn't afraid.

The Keeper kissed her forehead as did his wife. Their lips felt like clover leaves against her skin. The moment felt like a lifetime, but not in a drawn out way. Every millisecond had a preciousness Kara could feel. Then abruptly, like phantoms, they glided across the meadow and faded behind the trees. Standing dumbfounded, Kara watched the trees completely transfixed. A loud squawk in her ear from the crow shook her out of it.

"They were real," she said aloud and turned to her father, "Da, your stories are true!"

"I know that," he smiled, "wouldn't have told them to ya, if they weren't."

"How?"

"Don't know. Don't need to know either. There is an unfavorable power in knowing things of that nature, and it's best to just have faith."

Smiling, Kara came to her father's side. She took his hand and her father lead her around the meadow back towards camp. She held tight to his hand, and for the first time she felt the gift her father had received from the Keeper many years ago. It wasn't exactly like hers, not a fervent joy, but a sense of peace that Kara would never be able to explain to another human being. It was too unimaginable.
 
You're a good writer. Occasionally you do a thing I'm inclined to do and write a word phonetically instead of correctly -- "doddle" for "dawdle" is one I remember. Also, I think cyan is blue ... the honey, it's not blue, right?

Good stories.
 
You're a good writer. Occasionally you do a thing I'm inclined to do and write a word phonetically instead of correctly -- "doddle" for "dawdle" is one I remember. Also, I think cyan is blue ... the honey, it's not blue, right?

Good stories.

oh yeah I do, its comes with the dislexia. Thanks for pointing that out :) and yes the honey is ugh yeah blue :rolleyes:
 
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