Church of the Masses’ Barbara Nicolosi Reviews Narnia: The Lion, the Witch and the Wardrobe

I am going to go on a brief hiatus from my hiatus here because I had the great privilege yesterday of seeing the highly anticipated The Lion, the Witch, and the Wardrobe from Disney/Walden. I haven’t been so eager to see a film since The Passion of the Christ, nor felt the same sense of relief and joy!

The movie is lovely. The print we saw had some special effects still in stages, but it didn’t detract from the stunning vision the movie radiates off the screen. England is musty and dreary. Narnia is a wonderland. The kids are going to love it. They are going to want to walk through that wardrobe with Lucy time after time.

But best of all, contrary to Peter Jackson’s agenda-aversion manhandling of Tolkien’s classic, here, the tone of LW&W is as close to the book as probably could have been achieved. All the lines the Christians are worrying about are in there. All the scenes you want to see are here and lovingly rendered. So everybody can relax and get ready to enjoy, and we can all take the Wonderful World of Disney back into our hearts — and save the studio for 2005! Truly, our forgiveness is completely saving…

People particularly want to know if Aslan comes off as a Christ-figure, or just some warm and fuzzy magic lion. Well, I personally cried every moment Aslan was on the screen. But then, I walked in with my character development done by my Jesus thing. I so wanted to be Lucy and Susan, with their heads resting on his body on the stone table. I wonder if people who don’t love Jesus will feel the same? So, I am going to say that Aslan is absolutely discernible as a figure of Jesus — for those who have eyes to see.

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