The article can be found on page 23 of Our Logan: Our City Magazine.
Doug walked through the sets in progress, and, at Sound Stage 5, a crew of builders was working swiftly to assemble a free-standing group of houseless, three-walled rooms.
“I’ve got a great set of memories of working on a movie, and am looking forward to the next one.”
“The first batch of leadlights was for the rather drab and conventional Scrubb House, from which Lucy, Edmund and their cousin Eustace depart for Narnia. Then there would be some much more stylish panels of Narnian leadlight to go into the Royal Stateroom doors onboard the ship.
“Inside the next sound stage, a huge wooden ship was taking shape amid a tangle of scaffolding, with riggers and technicians swarming over the half-completed framework. Casually propped against the wall was an enormous fibreglass dragon’s head, with wings, a tail and other stuff visible further along. This was the Dawn Treader, and in a few more weeks the whole massive thing would be moved out to Cleveland Point for filming,” Doug said.
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