shadowchild25
New member
I just got the movie guide to LLW. This was bad news- now I am busily planning an idea for how to complete the chronicles in movie form appropriately.
I’m curious as to how people think this should go- the book to movie process. As I see it, we have five main stories that must be shot in some sequence, and two that are floaters- Magician’s Nephew and Horse and His Boy- but where’s the draw for all the strictly movie fans (because we know there are many) if all our favorite characters have moved on?
--- Susan, perhaps?
This is my vision- critiques welcome, but please don’t bash the entire idea.- I can’t imagine the movies without the original characters- this is my personal idea on how to fix that.
This would be the beginning of Magician’s Nephew, which I envision being the sixth movie, although that causes problems for the End of Last Battle- though I have some ideas on how to fix that too…
I originally wrote this as a loose screenplay, but changed it into what I hope reads as a more pleasing narrative (my screenplay was hurried, and very poorly written).
Magician’s Nephew Introduction:
She was dancing with a fox, which was rather difficult, considering the height difference. But this fox had done so much for her family and country- she was seeing him in the jaws of a vicious wolf, even as he charmed her as they danced. Her brothers were dancing with dryads, her sister was being led in an intricate dance with a strange, half man half- goat? The faun, the faun, oh what was his name- he was lively and spritely and young and handsome. But he had been hard and cold as stone once- he’d been stone!
The ball room disappeared, and the scene changed quickly to one of her and her siblings, playing in a field. But it wasn’t here, in England, it was there, in the world where she danced with talking foxes, oh what a strange world!
She heard their voices, Lucy and Edmund, singing a duet together, even as they were dancing, even as they were playing with her and Peter, and then suddenly they were standing together, older, and she could see them singing.
“Well done, Lu!” Peter said, jumping up from a golden chair next to her. “That was brilliant.”
“And I suppose my job wasn’t amazing?” Edmund joked.
“You can’t carry a tune in a bucket,” Peter scoffed.
“He lies, we all know you sing better than him, Ed,” Susan laughed, “he’s just jealous. Magnificent he may be, but magnificent singer he is not.”
All three laughed as they turned to look at her, but as they laid eyes on her, she gasped in pain, and their solid forms disappeared in the blink of an eye.
~~~~~
I’m curious as to how people think this should go- the book to movie process. As I see it, we have five main stories that must be shot in some sequence, and two that are floaters- Magician’s Nephew and Horse and His Boy- but where’s the draw for all the strictly movie fans (because we know there are many) if all our favorite characters have moved on?
--- Susan, perhaps?
This is my vision- critiques welcome, but please don’t bash the entire idea.- I can’t imagine the movies without the original characters- this is my personal idea on how to fix that.
This would be the beginning of Magician’s Nephew, which I envision being the sixth movie, although that causes problems for the End of Last Battle- though I have some ideas on how to fix that too…
I originally wrote this as a loose screenplay, but changed it into what I hope reads as a more pleasing narrative (my screenplay was hurried, and very poorly written).
Magician’s Nephew Introduction:
She was dancing with a fox, which was rather difficult, considering the height difference. But this fox had done so much for her family and country- she was seeing him in the jaws of a vicious wolf, even as he charmed her as they danced. Her brothers were dancing with dryads, her sister was being led in an intricate dance with a strange, half man half- goat? The faun, the faun, oh what was his name- he was lively and spritely and young and handsome. But he had been hard and cold as stone once- he’d been stone!
The ball room disappeared, and the scene changed quickly to one of her and her siblings, playing in a field. But it wasn’t here, in England, it was there, in the world where she danced with talking foxes, oh what a strange world!
She heard their voices, Lucy and Edmund, singing a duet together, even as they were dancing, even as they were playing with her and Peter, and then suddenly they were standing together, older, and she could see them singing.
“Well done, Lu!” Peter said, jumping up from a golden chair next to her. “That was brilliant.”
“And I suppose my job wasn’t amazing?” Edmund joked.
“You can’t carry a tune in a bucket,” Peter scoffed.
“He lies, we all know you sing better than him, Ed,” Susan laughed, “he’s just jealous. Magnificent he may be, but magnificent singer he is not.”
All three laughed as they turned to look at her, but as they laid eyes on her, she gasped in pain, and their solid forms disappeared in the blink of an eye.
~~~~~