sukapesta
New member
I just saw it yesterday... Such a great movie. Will post my reviews later.
Anyways, has anyone else seen it?
EDIT: here's a review i wrote for another site...
"I believe the most beautiful things in life are big and colorful. Hairspray is one of those things. On to serious business: who knew Hugh Jackman wasn't the only singing, dancing X-Man? James Marsden is one of the outstanding newbies to the musical scene in this film... though I'm pretty sure Elijah Kelley outshines both Marsden and Zac Efron (of High School Musical fame) in terms of singing, dancing, and sheer hotness. Amanda Bynes is a revelation in her comic role (eat your hearts out, Lohan and Duff! Bynes got the whole package!) Of course, Nikki Blonsky takes the spotlight, looking so comfortable in her role with a voice and an attitude up to par with her predecessors. The veterans don't disappoint: it's great to see John Travolta back in the genre that made him famous, even in a fabulous 300-pound fatsuit. Love his scenes with Christopher Walken, who's so disarmingly genuine and steals the show despite his minor role. Michelle Pfeiffer is delicious as the villainous vixen, Queen L is big, black and beautiful as always and Jerry Stiller does a little shoutout to the 1988 John Waters original. The songs are great, but we already know that... My favorite numbers are "Good Morning, Baltimore", "Without Love", "You're Timeless to Me" and of course, "You Can't Stop the Beat". The numbers written for the film, headlined by "Come So Far" are a nice addition (and will certainly get Oscar noms a la Dreamgirls). Choreography is amazing: no surprise considering Shankman is a noted choreographer himself. Excellent wardrobe, makeup and production design (three other areas with possible Oscar nods), note the color scheme in the last sequence (monochromatic Blonsky against the pastel scenery). The film is colorful and campy without being overly saccharine, warm and uplifting without being too preachy. It's a great mix of 60s pop culture and 60s racial consciousness, with the issue so naturally integrated that the "lesson" never felt forced on the audience. Overall, it's an excellent feel-good movie with an outstanding cast that will have you humming the tunes long after the credits roll."
Anyways, has anyone else seen it?
EDIT: here's a review i wrote for another site...
"I believe the most beautiful things in life are big and colorful. Hairspray is one of those things. On to serious business: who knew Hugh Jackman wasn't the only singing, dancing X-Man? James Marsden is one of the outstanding newbies to the musical scene in this film... though I'm pretty sure Elijah Kelley outshines both Marsden and Zac Efron (of High School Musical fame) in terms of singing, dancing, and sheer hotness. Amanda Bynes is a revelation in her comic role (eat your hearts out, Lohan and Duff! Bynes got the whole package!) Of course, Nikki Blonsky takes the spotlight, looking so comfortable in her role with a voice and an attitude up to par with her predecessors. The veterans don't disappoint: it's great to see John Travolta back in the genre that made him famous, even in a fabulous 300-pound fatsuit. Love his scenes with Christopher Walken, who's so disarmingly genuine and steals the show despite his minor role. Michelle Pfeiffer is delicious as the villainous vixen, Queen L is big, black and beautiful as always and Jerry Stiller does a little shoutout to the 1988 John Waters original. The songs are great, but we already know that... My favorite numbers are "Good Morning, Baltimore", "Without Love", "You're Timeless to Me" and of course, "You Can't Stop the Beat". The numbers written for the film, headlined by "Come So Far" are a nice addition (and will certainly get Oscar noms a la Dreamgirls). Choreography is amazing: no surprise considering Shankman is a noted choreographer himself. Excellent wardrobe, makeup and production design (three other areas with possible Oscar nods), note the color scheme in the last sequence (monochromatic Blonsky against the pastel scenery). The film is colorful and campy without being overly saccharine, warm and uplifting without being too preachy. It's a great mix of 60s pop culture and 60s racial consciousness, with the issue so naturally integrated that the "lesson" never felt forced on the audience. Overall, it's an excellent feel-good movie with an outstanding cast that will have you humming the tunes long after the credits roll."
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