The musical version of The Phantom seems to lean so far to sympathy for The Phantom that you wonder why the e should ever give a thought to any other man. But the very first adaptation of it, the silent film starring Lon Chaney, did not at all present The Phantom as a _romantic_ figure; you could feel pity for him, but not attraction. Without having read the original book by Gaston LeRoux, I believe that the old movie is much closer to the author's intent. Fashionable modern people have too much of a fascination with "bad boys" and "bad s"--forgetting that you can't build a civilization without respect for law and morality.