On the evening after Alipang's discussion of the play with Chilena, Tricia Calder had the cast gathered in the East High auditorium to read the script through aloud. Several crew members were simultaneously painting canvas flats off to one side.
Dan Salisbury sat with two of the only three other professed Christians taking any part in this production: Kaitlyn and Jason Katon. Extra bait had been dangled in front of them to induce them to act in the show: Kaitlyn had been invited to design the sets, and Jason to draw pictures for the posters and programs. In the actual performance, they were to be the "Conjure Man" and "Conjure Woman," to whom the leading male appealed in an early scene to "change him to a human man."
The Katon siblings were almost the _only_ cast members who were not making predictable sexy-vampire analogies in conversation. Dan, however, didn't think of himself as a hunky monster--only as an actor, agreeing to act in a play outside his comfort zone, in the hope of shooting down cliches about Christians hiding from the world around them.
When the transformation part of the story was done, Lori Purdue, Dan's leading lady in the role of "Barbara," repositioned her folding chair to put herself knee to knee and face to face with Dan. "Not long now till it's you and me talking," she pointed out, reaching forth a hand to pat her warlock on the thighs. Aware of Jason and Kaitlyn watching him, Dan shifted his own chair just two or three inches back away from Lori. The line-reading continued, as did Mrs. Calder's advice on motivation and expression.
When they got as far as the cynical scheme concocted by the evil intolerant church people to separate Barbara from the warlock, Dan squirmed a little at this raunchy plot turn. He was not any less uncomfortable with it for the fact that his character wasn't in the scene.
He was made uncomfortable in a different way when someone younger than himself, and less highly placed in the production, raised the question that he had felt unable to ask.
When they had read on through to the end, a freshman girl among the set painters approached the drama teacher. "Excuse me, Mrs. Calder. I was wondering about something--about what they do to Barbara. I mean, before she gets killed at the very end." The questioner was Daisy Kleinvelt, younger sister of last June's valedictorian. Daisy was the fourth Christian in the project. "Mrs. Calder, if this play said that Buddhists, or Hindus, or Muslims did to Barbara what the supposed Christians are shown as doing to her, wouldn't the playwright be accused of prejudice and hate speech?"
Every student was hushed. Mrs. Calder tried to intimidate the girl with her stare, to no avail. So she tried to achieve the effect with the frosty pride in her voice. "The point is really about _American_ intolerance. This play speaks truth to power, daring to break step with American national chauvinism, daring to pioneer a new path away from automatic super-patriotism."
Daisy was unfazed. "A new path, Mrs. Calder? American patriotism and American culture were already being debunked long before I was born, also before you were born. Like in the Sixties movies M*A*S*H and Billy Jack. All this play does is make the _same_ accusations which have been heard constantly for more than forty years. What's new or daring about that?"
Mrs. Calder seethed. "Miss Kleinvelt, since you prefer not to accept the consensus and blend with the group, it would probably spare you and us distress if you end your participation in this production."
"What distresses me, Mrs. Calder, is that you never answered my original question. Goodnight, everyone."
Jason and Kaitlyn, who were not needed here as much as Dan was, offered to drive Daisy home. She accepted. Only after Daisy had left the auditorium did Mrs. Сalder grumble to herself, "Homeschoolers!"
Dan, having said nothing during this, felt almost like Peter denying Jesus. Yet he had openly declared his faith many times before now; he had even marched in the rally for Deputy Kramer. Did he personally have to be in _every_ confrontation in the spiritual war? No, surely there was a place for the indirect, the subtle, the diplomatic. The Body was not all one organ; it had Alipangs for the aggressive action, but Dan was designed for other things.
He hoped he was right. Mrs. Calder told the cast to turn to the beginning of Act Two. Dan _really_ hoped he was right. But he admired the freshman girl who had just made a genuine sacrifice for convictions.