The Stone Table **MAJOR SPOILERS** stay out if you don't want them

So according to this logic, Peter was worse than Susan because being a High King and all for many years, now, in one-year's time, needing "proof" that Aslan was there.

I am reminded of when Prince Rilian came out of the cave from Underland, people (and non humans) recognized him as the Prince (soon to be king) even though he was in shambles because he had that special look: "That look is in the face of all true Kings of Narnia, who rule by the will of Aslan and sit at Cair Paravel on the throne of Peter the High King." Disney's Peter looked like a jerk; Lewis would have called him a "self-conceited prig." He didn't even looked like a king of Narnia, much less a High King.
 
Wow.

I've just read through all the posts and feel like there are a million and one things I want to say in reply but I can't possibly get it all down - let alone remember everything I wanted to respond to.

I have to say that, for me, I disliked the first scene due to Peter's attitude. I watched the film the first time, then re-read the book (I hadn't read it in years) then watched the film a second time. In doing so, I hopefully won't say anything about the book that is wrong - but forgive me if I do! It also allowed me to kind of see the film as a film without the book and then to compare it to the book.

As I said to someone - the film, compared to other films, is great. But compared to the book, it isn't.

Anyway, my problem with Peter isn't just that he was a 'prig' or anything like that. I could see the worth in having him change throughout the film. My main problem was that he didn't seem to. In terms of seeing him actually different at the end - I didn't really see it. Yes, he changed, but I didn't think it was enough.
For example (and yes, I'm afraid I'll be comparing it to the book), in the book, Peter apologises to Aslan when he firsts sees Him. In the film, where he's acted worse than he did in the book, he doesn't.
I guess I'm saying that I could have coped with the changes a lot more if Peter seemed to change more at the end of the film, beyond giving Caspian his sword.

That said, Fifth Pevensie (I think it was your comment I'm referring to), I'd love to hear what you think about the scene between Lucy and Peter and why you think it was such a redemptive (is that even the right word?) scene?

I personally thought it could have been a great scene, but that they used words that were slightly wrong.
Lucy saying that we need to prove ourselves to Aslan, to me, was completely wrong. And it's the word 'prove' that I have problems with. Not the idea behind it.
(And yes, I am going to relate it to Christianity, one, because that's what Lewis intended, and two, because I'm a Christian).
The idea of proving ourselves, to me, sounds too much like works-based salvation - the idea that you can earn salvation by what you do.
However, what I think they have been trying to get at, and which is a concept I totally agree with, is the idea that sometimes we have to take a step of faith before God will reveal Himself, or His plan, or the next step, to us. Which is what, I think, Lewis, and even the film, were trying to get at. That until Lucy went after Aslan, nothing would happen (or, in the book, until the others followed Lucy, they wouldn't see Aslan).
But this isn't proving yourself to God, it's learning to trust more, to have faith and isn't done because to prove anything to God, but to change us into better people.

I guess, to me, the word 'prove' kind of negated one of my favourite scenes from LWW. When Peter's talking to Aslan and he's saying, I think you've got the wrong person, I can't do this, I'm not who you think I am, etc. and Aslan just turns around and says, 'Peter Pevensie (formerly) of Finchley' - He knows exactly who Peter is.
So Peter doesn't have to prove himself, but I do think Aslan wants him to grow and change and to take that step of faith.

(and I went on about that a lot longer than I intended...)

As to the second scene, there were parts that I really loved and parts I didn't like so much.
Watching it the first time (before reading the book again), I found that despite knowing it wasn't in the book, I could cope with the whole temptation thing. I thought it was actually a great portrayal of temptation.
I also really loved the way the ice smashed to show Aslan's image. I thought that was a great statement.
I thought that the werewolf was great - and the lines it speaks, yes, are basically word for word from the book (although I think it does skip a line or two), and I loved that part.
In terms of things I didn't like - as a Peter and Caspian fan, I much preferred how in the book Caspian isn't tempted like that and tries to stop things earlier, and the others rush in to help - but in terms of how the rest of the film was done, I thought it was a great scene.

And yes, I'm pretty sure it was Edmund who killed the werewolf.

Ok, I think I've covered everything I can remember for now - without going off on a tangent about what they did to Peter's character (which I probably have already done, so I apologise, I have tried to keep this focused on those two scenes).
 
Thanks, Starre great comments. I agree with you in general, although I did not mind too much the Lucy/Peter scene -- I agree though, your idea of learning to trust or take a step of faith would have made more sense than "proving" themselves to Aslan.

I completely agree with you that Peter's character was never redeemed "enough" in the film -- although he was shown talking with Aslan and Susan, we get no sense that he ever confessed and received forgiveness or that he learned anything. At the end of the film he was resigned to going home because clearly Caspian could handle Narnia better than he could now. That was a sad ending compared with the book --

But as you say, compared to other films, it was a fine film.
 
Ok, I think I've covered everything I can remember for now - without going off on a tangent about what they did to Peter's character (which I probably have already done, so I apologise, I have tried to keep this focused on those two scenes).

Don't worry about it. Peter's character is an unavoidable tangent to many discussions on the film. :) In this thread, thoughts on his character is implicitly important to your enjoyment of the Stone Table scenes.

As for why I liked the Lucy/Peter scene, I'll give the short version. I thought it well-placed and delicately handled. I also thought the acting was some of the best in the whole film. And, perhaps thru a variant set of beliefs, had no problem with the word "prove" even as I agree with you that what is meant is not that you can earn Aslan's favor but that you can strive for it and in that effort of faith God will always meet you, well more than halfway, out of His generous mercy.

Again, this may simply be because as a Muslim I do not have the concept of passive salvation; instead, one of submission, and so that scene which denoted Peter's submission to Aslan resonated with me.

I'm sorry if this strays too much into the spirituality or Christian/religious discussion of Narnia.
 
Fifth Pevensie, you're a Muslim? Who knew.

Fifth Pevensie said:
I'm sorry if this strays too much into the spirituality or Christian/religious discussion of Narnia.
You can't stray too much into the spirituality of Narnia, consiering. No worries.
 
All of us who have seen the movie know that they added two huge (and contraversial) scenes that take place in the Room of the Stone Table. What is you guys' take on them?

The first scene was the one where they are planning the Night Raid and by far is one of the most unpopular in the movie, especially one of the lines that Peter says. It was in my opinion the worst scene in the movie (followed by Susan and Caspian's kiss scene), but it had some meritorious parts to it. While some do not like the fact that Lucy is sitting on the Stone Table, I like it since her place and posture is so reminiscent of the night Aslan died. It looked to me as if she was there because she felt close to Aslan and the way she sits looks as if she were leaning against someone (Aslan). From this place so dear to her, she delivers a line that Peter (in his right mind) would have quailed at: "Or have you forgotten who really defeated the White Witch, Peter." It also has Pattertwig's only real line in it (and Reep's response of course:D). Outside of that the only other redeeming quality is that Ed backs up Lucy's view.

The other scene is the White Witch scene with Jadis rising triumphant (if you read or watched the videos about Tilda's wardrobe in the first movie, you will see what I mean) over a Table that she once felt victory at. Undoubtably, because of the incantation, the room was as full of Black Magic as the area around the Stone Table was that perilous night. Whilst standing in the the circle of blue fire, I think that there were only two creatures, let alone two humans, who could have easily resisted the temptation that the White Witch offered; they were Ed and Lu. Ed would have been able to because of his previous dealings with Jadis which probably made him immuned to deceptions of the kind for the rest of his life and Lu because of her deep love for Aslan (a love that Lewis described by the encounter in the room with the Magician's book by say that the smile that flashed across Lucy's face in seeing Aslan made her look nearly as pretty as the Lucy in the Magician's book). I really feel that the only reason Peter nearly succombed to the temptation was because he was standing in the circle. I loved the imagery used when Ed killed the White Witch, a melt of ice that revealed Aslan's shining face that almost looked like it was glowing in the sun (or was it that the light was coming from it). I liked this scene on a whole despite some of its quirks.

the first one I honestly didn't think much of but I loved Lu's line in it. very good.

the second I loved. it was just great
 
I don't think the first scene was disrespectful at all. Lucy is merely sitting on a corner or edge of the table, right? I don't see that as wrong since she sat on it before with Susan in LWW, but with Aslan lying dead between them. Granted the table is the place of Aslan's sacrifice, but in this scene the table is simply being used as a temporary place of rest. Was it wrong later on for Peter to be using the table as a backrest?

As for Peter apparently falling into temptation with Jadis, perhaps standing in the circle did have something to do with it, but I think in a spiritual sense, the temptation is a representation of the tempting power The Enemy can have (a.k.a. Jadis trying to sweet-talk Peter, showing she hasn't lost any of her lying ability).
 
Thanks, inkspot. It does seem hard to discuss any aspect of Narnia without bringing up the nature of faith. And lol I'm pretty sure I've mentioned being Muslim before though it just occured to me today that it might explain why that scene resonates so much for me.

General Oreius, I agree with you that Lucy sitting on the table ended up a non-issue. Mostly because it was respectfully done since Lucy was thinking about Aslan when sitting there and Peter was thinking about Aslan when leaning against it.

Otherwise the table was given a "representative of Aslan" importance in the previous scene where the Pevensies first see it and are immediately reminded of Aslan without speaking his name. The way Lucy put her hand on it then seemed to give it a special aura of his great presence.

Heh, I like all the How scenes.
 
And, perhaps thru a variant set of beliefs, had no problem with the word "prove" even as I agree with you that what is meant is not that you can earn Aslan's favor but that you can strive for it and in that effort of faith God will always meet you, well more than halfway, out of His generous mercy.

Again, this may simply be because as a Muslim I do not have the concept of passive salvation; instead, one of submission, and so that scene which denoted Peter's submission to Aslan resonated with me.

I'm sorry if this strays too much into the spirituality or Christian/religious discussion of Narnia.

Fifth Pevensie, first, I agree with Inkspot about straying into religious discussion. If that wasn't allowed I don't know how I'd discuss Narnia - it's one of the things that I love about the books and the films, that they make all these comments on spirituality, etc. Spirituality is a part of life.

As to what you said about the Lucy/Peter scene. Firstly, thanks for sharing that. I agree that the acting was great and the scene really struck me as one of the better ones in the film in terms of acting / themes / etc.

I guess I may not have decribed properly what I found wrong with the word 'prove', as I agree that you can and should strive for God's favour. And that He will reward you for that. I guess I just felt that the idea He wouldn't help at all without you proving yourself didn't mesh with me.
I guess because I believe that I can't 'prove' myself 'worthy' to God, because I'm not. It's not that I'm (or Peter is) proving myself worthy of His help, but that sometimes He asks me to take that step of faith first, before He then gives me help that I still don't deserve.

And I also agree that salvation is not 'passive'. If it was - wouldn't everyone be saved? It's making a choice - to accept God's salvation and submit to His will in your life. Kind of like a present isn't passive either, you still have to accept it and unwrap it (if that analogy helps at all). This may not be what you meant, but I read your comment and went, oh, I don't think salvation is passive, and this is why...

So while I still personally have a problem with the word 'prove', I'm glad that the ideas people seem to be getting from the scene are fairly close to my interpretation of what I thought it should be saying (and also what I think they were trying to say). Which does make me like the scene a bit more.
 
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Lovely, Starre! I'm glad that you like the scene a bit better now.

I completely agree that it's not possible to prove yourself worthy of God's help or mercy --and so that isn't what Lucy meant. It does seem clear that what was meant is that you have to prove your willingness/acceptance/submission to God before you can truly feel Him. Believing before seeing.

It helped that the Lucy/Peter discussion isn't the only instance where this message is explored. Another time seemed to be when Aslan told Lucy she would have to come along to face down the Telmarines and she worried that she wouldn't be brave enough. In the scene, she is made to stand there and face down the Telmarines with a dagger only to show which side she is on --all the real work is made easy on her as Aslan calls up the river spirit and defeats the army without Lucy having to use her dagger.
 
Good points, Fifth Pevensie and Starre.

But you know, when they went into the How for the first time and saw what was there, I wanted them to talk about it -- I was afraid people would not understand exactly what it was and where they were.
 
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