Andrew Adamson, director of “The Lion the Witch and the Wardrobe” was spotted yesterday at the premiere of Cirque du Soleil’s “Varekai” walking the “green carpet” at the Auckland Showgrounds.
In the article, Adamson said he was in New Zealand to film the Narnia sequel “Prince Caspian.”
Adamson also compared his job to the Cirque du Soleil, saying, “If you see the stuff we have to haul around and the amount of travelling we do, we basically are a circus.”
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The trailer for The Chronicles of Narnia: Prince Caspian is out, stirring up all sorts of reactions from Narnia fans awaiting the movie’s release on May 16.
With the filming now finished, director Andrew Adamson—who also helmed The Lion, The Witch, and The Wardrobe two years ago—must now turn to the editing process, deciding what to keep and what to leave on the cutting room floor. I realize I’m a couple weeks late for a Christmas wish list, but nonetheless, here are a few things I hope Adamson will address as he puts the finishing touches on Prince Caspian, the movie.
“We needed to find a way to model the performance to create the essence of the noble, all-powerful lion,” explained Dean Wright, the film’s Oscar-nominated visual effects supervisor, “So we used Gregory Peck in ‘To Kill a Mockingbird.’ His Atticus Finch performance has some of the same regal qualities we wanted, so we used frames of Peck from that film to create movements for Aslan. That helped us build our library of movements, emotions and expressions so that when Liam gave his performance, it gelled perfectly with our Aslan.” […]
If you’ve only seen The Lion, the Witch and the Wardrobe once, take the trip to the theatre to see it again, before it leaves theatres. The best part about seeing it now, is that there will be few others in the theatre, so you can relax and enjoy it, without someone kicking your seat, or someone’s cellphone going off. […]
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