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Narnia Film News

Final Report from the Czech Republic!

From information of daily press you could estimate that Tisá where the film about Narnia is beeing shooted is surrounded by a cordon of guards and so the journalists are unlucky. It is both truth and lie. Our newspaper Ústecký weekly can show off with something special, you can see the cast and people around from the strictly guarded area.” We proclaimed you to be a cuckoo of the year”, I was praised by a colleague when I phoned to him from the centre of shooting on Tuesday afternoon. […]

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Narnia Film News

Nick Tate is Trailer Voice for The Lion, the Witch and the Wardrobe

When he lived in the US, Tate established a career as a voiceover man for film trailers. It began with Jurassic Park and during his time in California, he found that his voiceover commitments precluded time to audition for acting roles, though he has worked on JAG, The X-Files, Party of Five, Murder She Wrote and Star Trek: Deep Space Nine, among others. Now he does the voice work from a booth in his home in Sydney, his latest jobs being for The Lion, the Witch & the Wardrobe and Being Julia. […]

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Narnia Film News

End of Principal Photography for The Lion, the Witch and the Wardrobe Announced

Principal photography for The Chronicles of Narnia: The Lion, The Witch and the Wardrobe, which began last summer in Auckland, has come to an end. Production now moves from New Zealand to Los Angeles for post-production and finishing, where the CGI elements of the film will being to take shape. […]

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Narnia Film News

Rhythm & Hues Uses Massive for LWW

Rhythm & Hues adopted Massive last year to support the company¹s considerable principal effects efforts for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, now in production for a December 2005 release. […]

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Narnia Film News

Adamson: “I want to be very faithful to the book”

Although the estate does not have approval over the final cut, they did approve the script. Douglas Gresham, C.S. Lewis’s stepson, is in regular contact with the production, reviewing everything from casting decisions to costumes and special effects. “I haven’t changed anything [significant] in the book,” said Mr. Adamson, “certainly nothing without the consent of the estate.” […]