One of Mr. Lewis' themes was that it was possible for people, though never infallible in this life, to become substantially better than they were. So it was a BAD change to claim, in the PC movie, that Peter could not even remain AS good as he had been at the start of the LWW movie.
When did Lewis ever say that about his books?
See Joe, you've gotta actually prove your words before you claim them as fact. You haven't done that, and that's what boils my blood about the whole thing. I respect Inkspot's opinion of the movie. I respect MrBob's, ItW's, as well as many others. But you, I don't, because you assume and assert your points as if you were there with the writers, with the producers, with the directors, discussing and exchanging information about the second Narnia installment, "Prince Caspian."
What I do not respect are your claims of what Adamson and co. were thinking as they made decisions, your supposed "knowledge" of who and where the people were involved in the set up surrounding the script, and how certain aspects of the film were highlighted: i.e. Caspian playing "I'm too sexy for my chainmail." I'm sorry, was that supposed to be funny or sarcastic? I can't tell. If funny, tell it to your friends. If sarcastic, call up Ben Barnes and speak it to his ear; I dare you.
So Joe, please revert to what you do know as a viewer and a researcher (if you've done any).
You weren't there. As far as Lewis' standing point of making "characters improve, becoming better people," take a look at the books! Lewis only implied such when he wrote specifically about someone changing, which applies only to Edmund, Eustace, and maybe even a little to Tirian. But you have to admit the Peter Lewis wrote was flat-out undynamic as a character. No soul, no spirit, no emotion; nothing. His virtues Lewis gave him never changed from LWW all the way to PC. That's one of the problems Lewis had with character development: only if the character is completely disagreeable do you make him better. If he's just as you enjoy you leave him alone. That's what Lewis did, and I, as a reader of many novels have come to resent that particular case. You want to make a character real, make him flawed. Flawed, not meaning "sinful" or "stupid," but flawed meaning "unsure," "charismatic," or "habitual." Give him quirks. What makes him tick? He had three books to write him in and failed each time to give any dynamism to his persona. And as a reader, I can tell you that that's what I
saw, especially in
Prince Caspian. Peter, in the book, has absolutely no change in him at all from LWW.
Now, whether you agree or disagree with the interpretation of Peter being angry for 1 minute of the 2 1/2 hour-long film (which I'd consider to be incredulously
light), that's your decision. But I beg you, refrain from asserting that you know
exactly what Lewis meant in every Narnia book he wrote, as well as what the screenwriters, producers, and director thought, because you sir do not.
That's all.