The official soundtrack listing for The Chronicles of Narnia: The Voyage of the Dawn Treader has been listed on the French version of Amazon, Amazon.FR. The score, composed and conducted by David Arnold of James […]
During the 2008 Summer Olympics, television network NBC produced a short video clip about Brazilian marathon runner Vanderlei de Lima. That clip, which can be viewed on YouTube by clicking here, featured a portion of […]
The last two weeks have been some of the busiest weeks I’ve had since re-launching the mailbag. Last week, in fact, was so busy that I didn’t get a chance to do the mailbag. I […]
Variety.com asked Harry Gregson-Williams, who served as composer for both The Lion, the Witch and the Wardrobe and Prince Caspian. What he said about Narnia really shows the humility of the man. I hope to […]
The Dove Awards are currently happening, and I’m going to be updating this as the awards are given to Narnia related music artists. The score for The Chronicles of Narnia: Prince Caspian wins the award […]
Regina Spektor is among those eligible for a Best Original Song Oscar nomination. According to the Academy of Motion Picture Arts and Sciences, there are 49 songs from films in 2008 that are eligible. “The […]
Regina Spektor is the songwriter whose music was heard over the final moments of Prince Caspian. I had the opportunity to meet her at the premiere, and she told me, then, what she wrote here. That she was shaking when the movie was ending. […]
Just after the release of THE CHRONICLES OF NARNIA: PRINCE CASPIAN, composer Harry Gregson-Williams shares about his return to Narnia, his feelings about moving on from the franchise, what he’s doing with up-and-coming-composers like David Buckley and Stephen Barton at his Wavecrest Studios, and his upcoming projects which include X-Men Origins: Wolverine. […]
Animated Views’ Jeremie Noyer e-mailed us to tell us that his newest Caspian article is online: an interview with Narnia composer Harry Gregson-Williams. Here’s the summary from the top of the article, followed by a link to the rest! […]
Caspian is more or less an acoustic score, as was LWW. As I often do, I integrated some of my customized sounds (nothing heinously electronic!) alongside an orchestra, a choir and various ethnic instruments from all around the world to create the sound of Narnia. It is amusing to me that on LWW I seemed to ruffle some people’s feathers for sounding too electronic. Please! I enjoy and listen to plenty of ‘electronic’ music and sometimes create scores along those lines, but…. well…. I don’t know what some people’s idea of ‘electronic’ is, but it’s not mine. […]
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