The 45-year-old was reluctant to jeopardise her indie movie image by starring in the [Walden Media] adaptation of CS LEWIS’s children’s book – but she was won over by Adamson’s vision for her role as JADIS, THE WHITE WITCH. […]
Anna Popplewell and William Moseley, who star in the upcoming C.S. Lewis adaptation , say that the adventure is about an epic battle, but much more. […]
Both the “Narnia” and “Potter” tales revolve around highly symbolic struggles between right and wrong. […]
IGN FilmForce has a special exclusive treat today for Narnia fans, courtesy of Walt Disney Pictures, Walden Media, and the Weta Workshop: a detailed look at Otmin the Minotaur, from The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. From Otmin’s two-headed axe to his sword to his armor and his overall look, they cover everything you need to know about Narnia’s Minotaur. […]
“The Chronicles of Narnia” was premiered at NY City’s Learning Annex at the AMC on 42nd Street to a sold out audience of 1000 people. […]
As we approach the December 9 release date for “The Lion, the Witch, and the Wardrobe” and consider the opportunities for teaching and outreach in our communities, it’s good to remember that this is a movie for the whole family-including adults. […]
Director Andrew Adamson introduces an epic battle scene from his film. Also, an interview with Howard Berger […]
“It has been my ambition to make a really good film of The Lion, the Witch and the Wardrobe and the other books in the Chronicles of Narnia series for about 25 years, and by […]
The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe follows the adventures of four siblings Lucy, Edmund, Susan and Peter who enter the world of Narnia through a magical wardrobe in the home of an elderly professor. Under the guidance of a noble and mystical ruler, Aslan the lion, the children help fight to overcome the White Witch’s power over Narnia. […]
Dawn French says she loved playing a beaver in The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe – despite admitting she only took on the role so she could work with Ray Winstone. […]
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