Joking that he’s committed himself to the “Chronicles of Narnia” films for the rest of his life, director Andrew Adamson has revealed plans to adapt all seven books of the classic C.S. Lewis series. […]
The family of CS Lewis will miss out on the lion’s share of the multi-million-pound royalties from films based on his Chronicles of Narnia. […]
The young stars of the eagerly awaited Christmas blockbuster The Lion, The Witch And The Wardrobe are already getting ready for further adventures in Narnia. William Moseley, Anna Popplewell, Skandar Keynes and Georgie Henley – who play the siblings Peter, Susan, Edmund and Lucy in C.S. Lewis’s mammoth fantasy tale – are on stand-by to be in the film Prince Caspian, one of the seven books in Lewis’s Chronicles Of Narnia series. […]
Geoffrey Burgon for gave Narniaweb the opportunity to ask him some questions about his Narnia scores. Burgon wrote the music for the BBC productions of The Lion, the Witch, and the Wardrobe, Prince Caspian/The Voyage of the Dawn Treader, and The Silver Chair. […]
Silva Screen Records has announced the release dates of “The Chronicles of Narnia: Music from the BBC Television Series” by composer Geoffrey Burgon. It is released in the UK and other territories on October 10th, and in the US on November 8th. **SPOILERS** […]
Here is Mark Johnson (along with the film’s unit publicist, Ernie Malik who chimes in on a few occasions) chatting about this epic retelling of The Lion, the Witch and the Wardrobe! […]
Howard Berger of KNB EFX, Richard Taylor from WETA and Dean Wright who was the Visual Effects Supervisor on LOTR and is the same on Narnia as well as a representative from Disney were all on hand to report on the progress of the film, and Prince Caspian! […]
Disney is already looking ahead to the next one. Zoradi said they’ve begun work on a second script. “In my nearly 25 years at Disney, I’ve never seen the company so energised so early about a film,” Mark Zoradi, the president of Buena Vista International told them. “The film will be visually stunning and emotionally breathtaking.” […]
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