Sure, I'll see what I can do.Specter, while I agree with many of your points, I just really struggle with the Sequel Trilogy. First, though, I agree erasing or rewriting the sequel trilogy would not be helpful. There are some beautfiul things about it, like you mentioned, such as Luke and Leia's interaction. It is certainly successful in being different from the other two trilogies in many ways.
I'm still having several hangups with the sequel trilogy, and maybe you can help me with them. Honestly I am open to different perspectives, and perhaps people see strengths where I see weaknesses.
I don't think the story was lazy writing. But that could be a matter of taste here. I thought the writing was really good, and better than the prequel trilogy in realistic dialog that people might actually say. Also, Carrie Fisher helped script doctor The Last Jedi. She went through the script line-by-line with Rian Johnson.What's really hard for me are the lazy story writing, empty visual mediums and lack of classic character interactions.
They only hired and fired one director / writer after the initial attempt from another writer for The Force Awakens. There was a different writer that had worked on a treatment for episode 7, but if I recall correctly, Lucasfilm didn't like it, so they brought in Abrams. The only director they fired for the sequel trilogy was Colin Trevorrow, who was busy working on his Jurassic World trilogy anyway, and he was unfortunately in a situation where Carrie Fisher died and he couldn't figure out how to handle that, since movie three was going to be her film.The whole process of hiring and firing multipe, uncoordinated directors and writers with competing visions for the sequel trilogy was, I thought, rather unfortunate. While JJ Abrams brought an inital vision to the board, that dissolved or mutated rather quickly.
I don't disagree with this. I would have LOVED to see the three of them together at least somewhat. Here's an amazing stat for you: Out of the 377 minutes of the first three movies in George Lucas' Trilogy, only 22.5 of those minutes feature Han, Luke & Leia in scenes together. Mind-blowing, right? But yeah, I would have to learn what they were thinking by separating them all, but if I had to hazard a guess, it might have felt too fan-service to have them all together. That said, I wouldn't have minded in the slightest. I love fan-servicy stuff.Having such an empty, cold and broken galaxy WAS one approach, but I feel many opportunities were completely wasted. While I was greatly delighted at the degree to which Han, Luke and Leia returned (initially we were led to believe they might have mere cameos), I would have greatly appreciated some classic reunions. Something along the lines of their reunion in The Return of the Jedi would have been absolutely refreshing in a galaxy some odd 30 years later, and having them instead so separated and estranged was an unnceccessary tragedy.
I thought that Finn's mystery was solved in the fact that he could feel what was happening to Rey during the final battle of Rise of Skywalker. Finn can feel the Force. My dream would be to see either an Episode X, or a series, where Rey starts teaching Finn the ways of the Force.Having Finn be an unsolved mystery was a disapppointment. No amount of workup to Rey's origin could really pay off in this day and age where speculation and theories simply abounded. And Kylo just got old to me really fast. Although his acting was impressive in many instances, his storyline was rather disappointing. His return to the light side was sudden and unconvincing.
I LOVED the planet in Rise of Skywalker that they used as their base. LOVED it. And I love the Porgs. But yeah, I can see that. I honestly would have preferred if Jakku was the battle destroyed, half-flooded planet from the concept art, rather than another desert planet. Maybe they'll use that design in the future, for something, though. I know they wanted to shoot the movie similar to how the original trilogy was filmed, and getting a place like that for Jakku wasn't something they could do without digitally building it, or building a lot of wildly expensive and tall sets that also would require a lot of CG, so that was probably what stopped that from happening. That I can completely understand that. Remember, also, though, that the Prequels were at the height of the old republic, pre-war times, hence the hand-made Naboo starfighters vs the churned out X-Wings from just a generation later when war was on. But yeah, I agree.Visually, there is little in the Sequel Trilogy that impresses me. Some excellent locations were chosen, but the worlds lack life, creatures and that surreal quality I often found in the Prequels.
The things that tie this trilogy to the other two are the characters... Luke, Leia, Han, Chewbacca, C-3PO and R2-D2 (who are both grossly sidelined, I agree, but used where appropriate. Would have loved to see more R2. I feel like 3PO got his due story. Also, the Emperor having created Snoke, and stuff like that. The X-Wings, Tie Fighters, Stormtroopers, so much is direct from the other two trilogies. If what you're looking for is locations, that is the tricky part. I know that they only visited Tatooine once at the end, but imagine if they had gone back to Tatooine for, say, Rey's origin. People would have had a field day with that, moreso than they do now, just saying desert planet. But I digress. I think there are a few planets I would have liked to see again, but I also could see that the story wasn't calling for returns to those planets in a way that was very naturally lending to us returning to those planets.Hardly anything ties this separate trilogy to the other two. If I'm not mistaken, an extremely brief and obligatory stop at the end on Tatooine is the only planet connecting these films to the others. A balance of new and established worlds would have been nice. Moving the capital to Hosnian Prime was pointless. Blowing up Coruscant, which is what I thought happened at first, though it angered me would have been much more impactful. R2 and 3PO are GROSSLY sidelined. The soccer ball (and wheel chair/lamp light droid in The Rise of Skywalker) are cute, but come on! The other six films, one could argue easily, are the classic droids' stories. Again, the original three as well as Lando could have been SO much better utilitzed.
I completely understand. To me, each trilogy has their pros and cons, also. My favorite lightsaber battles tend to range, but I felt like Rey and Kylo in the rain was raw and realistic... I feel the same about their battle on Starkiller Base. When she first catches the lightsaber, I got goosebumps, and I'm not kidding. I did not see that coming the first time I saw it. I thought it would be Luke, and when it was Rey, I kid you not, I got chills. It thrilled me to no end. I REALLY wish she had built her yellow bladed lightsaber between movies like Luke with his Green lightsaber. I love that. I have a replica of it. I think the lightsaber battles, like the Starfighters, are a product of their time, and training. There are things in the choreography that are very much intentionally done, with intentionally different styles. Including the fact that Kylo is still lacking in his training, which is why what would have been a killing blow to Finn didn't kill him. I read a study of that from someone who knows swordplay and he said the maneuver that Kylo used on Finn was called something specific, and that Kylo does the move wrong, so Finn lived. I was very interesting reading.To be fair, there are things I think could have been different about each trilogy. There was a time when it was considered heresy to speak negatively about the original triolgy but I have always found the intensity with which the original characters yell and bicker at each other quite annoying. There is a lot of repetition from the get go what with endless stormtroopers and repitious death stars. The prequels have the best and the worst visuals at the same time, lol. The pacing is generally amazing yet at times terribly edited. Having so much mystery and a variety of villains and heroes in the prequels was refreshing, but a bit of that could have been replaced with some more character tie-ins to the original trilogy. Personally, I loved the large-scale political backdrop satire in the prequels. Goofy, self-absorbed power-hungry conformists in the Senate (except with pronounced alien features and expressions)?! I mean, come on, it doesn't get any better than that! I also loved JarJar because he was at times clueless to the extent of not recognizing maleficience and corruption around him but also simple, fun-loving and unbothered by it too. In some ways, better than a brown hairy wookie saying "ARGHURGHARGURG" to every, every thing in the original trilogy? I know the prequel concept isn't for everybody, but vacuuming EVERYTHING out of the Star Wars universe to show us a baggage-ridden and empty consequential galaxy in the sequels was super meaningless. Also, the sequel trilogy lightsaber fights and battles are beyond boring. A real (both characters actually physically present), methodical, long, drawn-out lightsaber duel between Kylo and Luke would have stunning. In the duel in The Rise of Skywalker, Rey and Finn look like they're dancing in the rain mindlessly swinging their swords. I know I am opinionated but the films have just been on my mind lately and I need to vent a little.
Luke wasn't changed into a pathetic failure, he was a character who had lived a life, and we got to see him have a character arc that went from someone who had decided to bring what he believed to be the right thing to do (ending the Jedi order that he felt had failed the universe), and instead learning and growing, and realizing that burning down everything wasn't actually the right thing to do. And once again becoming the inspiration the galaxy needed to stand together against tyranny. That's quite the character arc, and a good one.A few scattered, VERY small nice things in the sequel travesty are like putting band-aids on a corpse. Nice interaction between Luke and Leia? I'm pretty sure that Luke and Leia could still have had a sweet moment WITHOUT Luke having to be changed into a pathetic failure, WITHOUT a malicious retcon which had Leia with NO Jedi combat experience easily defeating Luke who DID have the experience, and WITHOUT Leia's marriage to Han having crashed and burned.
I feel like I've said my piece about Prince Caspian a lot in the 14 years since it was released, but I understand why you are using it for comparison here.There are two very different ways for a movie to be "good." It can be "good" simply in the sense of production values and acting talent. But it's a separate question whether these merits are APPLIED to any good PURPOSE.
"Prince NON-Caspian," and "The LEAST Jedi," both did a masterful job at what their directors desired to accomplish. The directors of both films consciously desired to degrade, insult and ruin fictional heroes. Peter Pevensie and Luke Skywalker were both maliciously changed into what they never were: useless losers who needed much-younger females to show how inferior they, the males, were. "Prince NON-Caspian" was in fact a great movie-- it just wasn't a Narnia movie. "The LEAST Jedi" was a great movie, too-- it just wasn't a Star Wars movie.
Don't anybody even start to say, "But it's boring if heroes are impossibly perfect!" Both Peter and Luke, as originally written, WEREN'T impossibly perfect; they both spent more than enough time having flaws and weaknesses. In Luke's case, he didn't attain full Jedi-hood until he had struggled onward through three entire films. But it wasn't enough for Andrew Adamson and Kathleen Kennedy that Peter and Luke had to earn success the hard way; they desired for Peter and Luke NEVER to arrive at success.
By contrast, we have Rey Palpatine, "The Best-est EVVAH." In Greek mythology, the goddess Athena was born already adult, already possessing enough power to be among the five mightiest Greek deities. Athena never had to work to achieve anything; she literally was awesome from her very first moment of existence. Thus with Rey Palpatine, who doesn't need ever to have piloted a starship before, to be qualified to TEACH HAN SOLO about starship maintenance.
Switching to "Rogue One," it is what I call an "interquel." It was made later than any of the first six Star Wars films, but it FITS in the timeline between Episodes Three and Four. The central character in "Rogue One" was a strong female; but her being strong DIDN'T require every male character to be trampled on by the script.
I consider Mike Zeroh to be a part of the Fandom Menace... and most of the stuff he releases turns out to be false narratives meant to rile up the natives and keep his viewers "happy." I don't quite understand what you're getting at here, with regard to Superman. I've read a lot of comics, and know a LOT about Superman. I just don't know what you're getting at, and I refuse to watch something Mike Zeroh crafted and contextualized. I would like to know what Kennedy said, exactly, who she said it to and why, and what she was responding to when she said it, and when it was spoken. I can't exactly comment more on that until I know.Suppose that I create a comicbook series, which I specifically claim is a Superman series. Then you discover that my comicbook series WILL NOT EVER depict Superman himself, NOR depict Ma and Pa Kent, Lois Lane, Supergirl, Power Girl, Jimmy Olsen, Lana Lang, Lex Luthor, Brainiac, Bizarro, the town of Smallville, the city of Metropolis, the planet Krypton, the Justice League, or kryptonite. But I insist that it still IS a Superman series because I say it is.
Kathleen Kennedy has publicly declared that she can CONTRADICT all of George Lucas' ideas, yet still pretend that something she produces nonetheless IS a Star Wars production. She just wants to enjoy the advantage of name recognition, at the same time as she DISRESPECTS the name.
I think Finn needed more of a resolution than just feeling the force. And from what I hear, there is a possibility that there could be a series in the future that takes on Finn's story, post-Rise of Skywalker. I would LOVE that. I would want him training with Rey, as I mentioned above somewhere, in the ways of the Force. That would be my dream. And perhaps he and Rey get together and start a little Jedi family.You all know the lore so much better than I do! I enjoyed Specter's thoughts, and the rebuttal of Tirian very much. I liked all the films, found the prequels kind of goofy and hated Jar Jar, but I think the sequels are quite good. The only thing that made me sad was Finn's character, which was awesome, never really got enough development or resolution, did it? I loved that we actually got to meet a Storm Trooper and see that they're real people and can escape (if at great cost) and do right. I really liked him. I like Rey, too, she's a fantastic heroine. And I loved Kylo Ren's arc.
Yeah, I wish they had more depth to the pull to the dark side. Something more than finding a way to live eternally, which ironically, the Jedi do, and the Sith do not, as far as I know. (At least as far as we know, storywise.)You know what I hated in the prequels, and kind of hated in the sequels, was the case was never made strongly enough why Anakin and Ben Solo were pulled into the dark side. In the prequel films, it just seemed like Anakin was just like, "Oh, Padme might die, and maybe the dark side can save her," which was really flimsy. And we never really do see what pulled Kylo Ren that direction ... we just kind of hear about it. I love that they both are transformed by their end, but I wish it had been a little more clear what turned them to begin with.
Rogue One is set just a bit before A New Hope (Episode 4). I really like that one.Also you know what's a fantastic film, Rogue One. I saw it for my birthday weekend, and Carrie Fisher had just passed, and when we saw her at the end -- "They've given us hope" or whatever she says -- I was crying my eyes out. That film stands alone, right, it's not part of the sequels? Or is it? I get them all mixed up. That one is a stand-out to me.
By way of contrasting, though, Luke grew up on a moisture farm. He new how to pilot a T-16 Skyhopper, and drive a Speeder. He could bullseye womprats with his Skyhopper as well. He was somehow also able to fly an X-Wing and did better in the Death Star battle than most of the trained X-Wing pilots, and was the one to take down the Death Star using the Force. Something he'd had very little training in, at that point."Luke barely trained"-- but he did have to DEVELOP, and it still took three whole movies for him to reach real Jedi status. By huge contrast, as desired by Kathleen Force-Is-Female Kennedy, Rey already was better than everybody as soon as she popped up. There's no comparison at all. Where Luke had to earn all his progress, Rey simply WAS the best-est evvah from the get-go, because girl power girl power girl power.
What Male heroes were spitefully destroyed? I still don't know of one who was. Luke triumphantly became the legendary Luke Skywalker, Jedi Master, bringing hope to the universe once again by the end. Han reclaimed his ship, and helped to bring his son back from the dark side. Poe finally wisened up to become a leader. Finn finally decided to join with the only family he ever knew, and stop running, and also became a leader, and also could feel the Force. Ben Solo finally gives up his search for power, and selflessly gives of himself after being selfish for so long.It doesn't require much examination to see the glaring difference between HAVING female heroes and spitefully destroying MALE heroes. If we dislike virtual omnipotence being arbitrarily conferred on female characters and only female characters for the express purpose of humiliating men, Kathleen Kennedy's coven pretends to believe (knowing this to be false) that we are against having ANY strong females ever. Neither I, nor any other male fan I know, hates Ahsoka Tano or Cara Dune. But much of Disney's use of super-goddess characters has long since gone far beyond merely making space for women.
She was never shown to know Han's ship better than Han. Only that, at one time, she knew of a modification that had happened to it, since Han had last possessed it. Han wouldn't have known about that. He had just gotten the ship back. That is, if you're talking about the "I bypassed the compressor" scene.Yes, Rey knows machinery, good for her. But this does not justify saying that she could know HAN'S own ship BETTER than Han knows it. That was not any kind of story logic, it was blatant female triumphalism.
Once again... Luke was not turned into a pathetic failure. If he was, I didn't see it. Luke was turned into a triumphant hero. The film was called "The Last Jedi," based on the opening crawl of The Force Awakens, where it describes Luke Skywalker as the last Jedi. The title might as well have been "Star Wars: Luke Skywalker," because that's who the title referenced directly. It was all about his decisions that he made, that he was fallible, and capable of making mistakes, but also capable of making good decisions. He got a final lesson from Yoda as well. Had he simply been the same character that he was in Return of the Jedi, it would have been a character that didn't grow, or learn, or change, in 30 years, and no human being I have ever met is like that. Having Luke be in a situation where his character has an arc allowing for growth is important. Otherwise the character is too static.If the character of Luke Skywalker had been female from the very start, I would still have gone to see the movie. I'm a huge fan of Alita the Battle Angel, and of Sarah Connor. But if Star Wars had begun with a girl on Tattooine instead of a boy, the Disney crowd would never even have considered making her turn into a pathetic failure later in life.
Rose knew that what Finn was doing was not going to help, though. Finn was flying an old ski-ship into a battering ram cannon. It may not have even made a dent... In fact, all they had to do was fire it at him, and it might have just destroyed him and continued to fire at the door anyway. She saved him from making a mistake that might have cost him his life, and saved no one. And Rose never scolded Admiral Holdo because Rose is not in any position to scold Admiral Holdo. I don't believe they ever even spoke, let alone shared the screen together.Then there's the ridiculous Rose Tico. She was put in there simply, and crudely, to assert Disney's across-the-board "Women are better than men, period" narrative. As I have observed before now, the bit with her stopping Finn from attacking the First Order landing force was contrived purely and only to let her lecture him: "This is how we'll win: not by fighting what we hate, but by saving what we love." All the writers cared about here was creating the FEELING that Rose Tico was ever so much wiser than Finn; but what she said was in fact idiotic. Saving what we love? Hello! Finn had JUST BEEN trying to save those he loved. And Rose never scolded Admiral Holdo for fighting the enemy-- because the point never was to avoid fighting, it was always to portray men as inferior and clueless.
I just love Star Wars.Forum boss gets the last word.
I wouldn't call what happened to Han making him a total failure in his personal life. I know way too many people in similar situations, and I would never call them total failures. Han's heroic status returned the moment Ben Solo returned to the light, if he had lost it at all.But I already said I would have gone to a version of "New Hope" which had a female main character; Alita and Sarah Connor ARE the main characters in their movies, ditto Ripley in "Alien;" Han Solo becoming a total failure in his personal life SURE IS destroying a hero;
Yep... Leia had been royalty, Han had been a smuggler. It does make sense.it's no accident that Leia was shown as having her act together far better than Han did;
That would have made what looked and felt like an unwinnable situation less impactful when Luke showed up. It had to be a no-win game.Finn's action being ineffective only proves that the writers didn't want a man to BE effective at this point, since they could just as easily have made it so he DID have a way to slow the enemy onslaught;
I just don't agree. Saving what we love is why we go to war against tyranny. Luke has always been a bit brash, and he nearly always made bad decisions when he acted out... leaving Dagobah to help Han and Leia... what happened? He wound up being the one needing rescue, lost his lightsaber and his hand. He learned who his father might be, which was only really confirmed by Return of the Jedi. Many people at the time thought Vader was a liar. And when Vader figured out Leia was Luke's twin sister, he was able to draw Luke out from hiding. However, as that sequence unraveled, we learned that Luke only BRIEFLY considered and then changed his mind, too late. His hot-headed temper got him into a mess that he should not have put himself in. He made a mistake. It's pretty relatable to me.Rose's speech still is dumb; and you know that Luke could have "grown" just fine WITHOUT having to sink so far as to consider murdering his sleeping nephew.
Since the start of the pandemic, I've been rewatching old sitcoms, from The Cosby Show, to Family Matters, Perfect Strangers, Full House, Step by Step, and Growing Pains. I'm pretty sure I've heard that statement in practically all of these shows. It's an old joke. I didn't think anything deeper than that I had heard it dozens of times, in dozens of shows and movies over the years. I'm rewatching the TV show Chuck at the moment, and I'm pretty sure some version of that has been said a few times in the first season, already. I don't think that has anything to do with superiority. I think it has to do with a joke that men can't get away with lying to women. This episode of Full House I just watched this week had the guys explaining to Steve how he shouldn't fall into the trap of answering when his girlfriend asks how her dress makes her look, or if he noticed this other woman they walked past. Steve said he would say "no," but they explained "no, you would say 'what other woman?'" And at the same time, the women were talking to DJ about how men are. None of those statements are really new to me.Oh, and I almost forgot. In "Force Awakens," Han told Finn that women ALWAYS know if a man is lying. This was a categorical statement of female superiority. We all know that if a movie character claimed that MEN as a group held any superiority over all women in wisdom, THAT character would be loudly condemned for misogyny. But Han says women are superior-- crickets chirp.
Let's dissect this for a moment. First, as I have said before, the cannon was ready to go and nothing he would have done could have stopped it from firing. Not with that little ship. It was just about to fire and then it did right after he got knocked off-course, and that blast would have likely just disintegrated him and the ship, right there.I repeat: fighting what we hate, when that enemy IS what threatens what we love, IS saving what we love. The rebuke was empty, and was written in for NO OTHER REASON than to make a female seem better than a male. This is clear if you just reverse genders-- exactly as it is clear that a MAN claiming any categorical superiority over women like always catching lies would be vilified.
If Rose had been the one making a useless attack, and a MAN had stopped her and then lectured her, the girl-power-above-all crowd would NEVER have called the intervening man deep and spiritual. They would have SHRIEKED, "Patriarchy! Sexism!" An advocate of the girl-power position has previously argued here that it was all right for Admiral Holdo to fight the enemy, because her action could be effective. But Rose herself didn't even address effectiveness. She simply told Finn he shouldn't be fighting, without telling him what he WAS allowed to do to save those he loved.
And all the times Rey cleaned the clocks of male opponents, neither Rose nor any other "spiritual" character ever told HER she shouldn't be fighting.
I saw the username of the creator... and I gotta say... already was turned off by that. I am not a fan of folks that take on the name of the ultimate evil, even ironically. I thought I would give him the benefit of the doubt, though, since I shared a youtube video about why Rey isn't a mary sue, it's the fair thing to do. But then I saw he has a video about why "Rey is a Mary Sue and Luke Skywalker is not." If you don't mind, what was the "One thing" he would do to "Fix" Rey? I'm curious.Here's a content creator who shows how a female character can be impressive WITHOUT undercutting males and maleness.
I feel I've missed something. Is there a new episode out recently?Nope. Kenobi and Vader did not face off between RotS & ANH. ....
Yeah, the 3rd episode of Obi-Wan Kenobi released on Disney+, which puts us halfway through the story.I feel I've missed something. Is there a new episode out recently?
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