~The Joseph/Katherine Updates: Ok! I thought you had great chemistry going on, interesting bits of emotion slid in. I know it's conversation, but it wasn't too boosting for the plot. I mean... Doesn't it seem like you have a few too many conversations going on?
Your skill at writing dialogue is quite developed. Very good! It's just that I'm not seeing too much from your storyteller's side as a writer. You revert to conversation to explain each situation; not that that's a bad thing. Screenplays for film are subjected to such writing. But sometimes I think it'd be best if you just describe what happens without people saying everything on their minds. My sister's reading
The Time Traveler's Wife, a romance novel
saturated with dialogue, but the author still leaves room for storytelling without having someone saying something. It's being made into a movie now (you probably know about it), and I'm eager to see it!
Overall though, the plot is still thickening and moving around. You've got creative interpolations like the pregnancy, the mother's agreement to letting Kandie stay, and Christmas is coming soon! Quite a wonderment there; you've certainly got me thinking about it. Cutting through all of this is Joe's love for Kandie, although I'm not sure whether or not you've made it clear yet that Kandie loves Joe back. It seems she likes him, but I don't think she's ever really expounded on it. She just smiles and/or blushes whenever Joe says he likes/loves her. Maybe you should leave Kandie's ultimate response for the Christmas chapter, whenever that might be.
~The Response to Snipits of the Joe/Kandie Stories: I really don't think you should take this too hard. I'll explain where she was right... and where I believed her to be wrong.
By itself, the comment you posted her as saying seems a bit harsh, but the context surrounding it (which I'm so glad you emailed me) made a
whole lot more sense. In "showing rather than telling" I literally clapped (quietly) as I read her description of a drunk dad (which I've just gotta post here):
That was one of the best descriptions I've ever seen regarding a character's actions. She's right, you don't do that much (if at all). As I said, though, you're a master at dialogue, which is a big key in writing. As I also said, you need to work on not having dialogue all the time. That was a big point I should've brought up earlier but Aggy B. already did. You should take this to mind.
She's right about the hair color not being vital, but it helps to visualize someone. It's true you put the color description sometimes, but it isn't that hindering (in fact, I never really noticed). Plus, you've gotta consider people like Stephen King's
Misery, a gripping thriller that, guess what? describes Sheldon's hair. He rarely does it at all, but he did at points. Seeing that King is (IMO) one of the best storytellers in history, next to Dickens and Wells, I don't think we should question his ability to write, and that's what Abby B. was indirectly doing. She may not have remembered that little fact (or maybe she just didn't read
Misery), but hair color isn't a bad thing to mention. It gives more flavor to a character as being real:
Though he isn't real, he's part of one's imagination. Giving such description to someone makes him or her more real than one's simple action. You could say,
That is description (took a while to write it too!). And notice! I turned two simple sentences into a full description, using hair color
and eye color! Did it hinder the description? I think not. That's where Abby was incorrect. If you can fit it, it works and
helps the reader visualize.
~The Makings of a Proposal: I come up with these titles for some reason... Go figure.
Anyway,
LOVE IT! I actually
didn't know he was going to propose... seems like she's a bit young though. Still, the timing of it was perfectly placed; nothing was rushed. Very interesting and
convincing, what's more. The dialogue and the expressions eveloping it was utterly authentic. Didn't find much wrong with it.
~The Poem: Another very sweet poem; I'm sure the mother was delighted. Rhymes could use a bit of work, though.
If you aren't any good at rhyming (which I'm sure you can get much better at) you should stick with your un-rhymed poems that make sense not to flow perfectly. I've only written one poem ever. It's quite good
cool
but it took me hours to write, getting the rhymes and beats right with it still containing a meaning! Ha.