In many critical ways, the Lord of the Rings movies were bad in how they translated the story to the screen. As a typical postmodern, Jackson missed many fundamental elements of Tolkien's thought, at times getting them so wrong that they were presented completely opposite of how Tolkien presented them. The movies may have been cinematically well done and commercially successful, but as a the translation of the actual story to the screen, they were failures.
This is my concern with what I'm reading about Prince Caspian. I understand full well that print and screen are different media, and because story elements have to be portrayed differently, it sometimes requires rewriting. But that rewriting can be done without violating the spirit of the story. An example of this would be the waterfall scene in the film rendition of Lion. There was no hint of anything like that in the book. It was added to the movie to generate some excitement, which it did without violating any of the principles of the story.
But if you try to generate excitement in Prince Caspian by introducing power tension between Peter and Caspian, then you're violating the basic principle of the story. As Peter says to Caspian, "I haven't come to take your place, you know, but to put you into it." (Sorcery and Sudden Vengeance). This mission is the hinge of the whole story: the children were summoned back to Narnia by Aslan (via the mechanism of the Horn) in order to restore proper order - i.e. a human king under Aslan's authority. Peter knew this, just as he knew that he'd only ruled as High King in the first place because he was under Aslan, and now it was Caspian's time. Lewis' Peter would no more have contended with Caspian for the right to the Narnian throne than he would have contended with the Tisroc for the right to rule Calormen.
This is why these screenwriters make me nervous. To expect a typical secular postmodernist to understand principles like proper authority and chivalry is expecting the near impossible. A postmodern only understands personal power and self-exultation. If they aren't willing to "sit at Lewis' feet" and learn how properly submitted men can and do behave, then there's no limit to how badly they could maul this tale.
This is my concern with what I'm reading about Prince Caspian. I understand full well that print and screen are different media, and because story elements have to be portrayed differently, it sometimes requires rewriting. But that rewriting can be done without violating the spirit of the story. An example of this would be the waterfall scene in the film rendition of Lion. There was no hint of anything like that in the book. It was added to the movie to generate some excitement, which it did without violating any of the principles of the story.
But if you try to generate excitement in Prince Caspian by introducing power tension between Peter and Caspian, then you're violating the basic principle of the story. As Peter says to Caspian, "I haven't come to take your place, you know, but to put you into it." (Sorcery and Sudden Vengeance). This mission is the hinge of the whole story: the children were summoned back to Narnia by Aslan (via the mechanism of the Horn) in order to restore proper order - i.e. a human king under Aslan's authority. Peter knew this, just as he knew that he'd only ruled as High King in the first place because he was under Aslan, and now it was Caspian's time. Lewis' Peter would no more have contended with Caspian for the right to the Narnian throne than he would have contended with the Tisroc for the right to rule Calormen.
This is why these screenwriters make me nervous. To expect a typical secular postmodernist to understand principles like proper authority and chivalry is expecting the near impossible. A postmodern only understands personal power and self-exultation. If they aren't willing to "sit at Lewis' feet" and learn how properly submitted men can and do behave, then there's no limit to how badly they could maul this tale.