^ True. These are movies. This didn't all really happen a long time ago in a galaxy far, far away.
I've enjoyed what I've read. I laughed out loud when, AK, I read what you wrote about Leia and Mickey Mouse. You said it well. This scene was completely unnecessary. Even inter-cutting with supporting shots could have made it bearable; for example Luke senses Leia's danger and reaches out AND/OR the ship also thrusts toward her suggesting a gravitational enigma. Perhaps because I had come across this potential spoiler months ago, or perhaps because I cannot think of an alternative way to gracefully weaken the character (in light of her actress' passing) to make way for Holdo and Poe, this didn't break the film for me.
I still understand the reaction to Luke, and simply wish to share the reflections of Luke by a member (just 10 years older than myself) from theforce.net. Their username is "Lord TW." Grateful that my losses have been few, they are still painful, so after I read this post, I realized Lord TW captured so succinctly what resonates so well with me about Luke:
"As a 45-year old white male who first saw SW in the theater in 1978 (first rerelease) for $1 (!), sure, I took notice of the female-driven heroes (BTW, the FO also had Asian women) and that a rather Earthly agenda seemed to sneak in a bit (i.e., Rose' animal rights activism). But in the end, they didn't detract from the broader film one bit - in fact, upon second-viewing, they were barely noticeable (in contrast to, e.g., Jar Jar's poop jokes in TPM). Further, how could I not notice that the biggest hero ended up being the old white dude? I live near a city. The characters in the movie reflected my city. How is that bad?
Johnson impressed me with his ability to develop character arcs logicially, but surprisingly. With one exception on each side of the conflict (Hux and Rose, who I presume were intended to ground the viewer in the causes, rather than grow as characters), every character evolved: Rey, Poe, Finn, Kylo, Holdo, etc. - even Leia, in recognizing Poe's maturity.
The cinematography astounded me. I was drawn in by the tension of the unfolding opening space battle; watching Poe's fighter slowly creep up the Dreadnaught, while Hux watched from afar, created anticipation I hadn't felt since ESB, when Luke walks through Cloud City searching for Vader.
The sound reminded me of ROTS; the score and effects are an under-appreciated pleasure of that film. When Johnson dropped all sound during Holdo's heroic act, it pulled me in, much as ROTS did in its opening battle, specifically when OB1 and Anakin land in the hangar on Grievous' ship. This audio trick forces you to pay attention to the scene. I loved it.
Finally, there is Luke. Apparently, everyone wants an optimist in our heroes. He emerged from ROTJ intent on rebuilding the Jedi, so people aren't happy he has abandoned the Force in TLJ. But he didn't abandon the Force in TLJ; he abandoned it in TFA. I admire how Johnson brought him back. As someone who considers himself a lifelong optimist, but has lost three family members in recent years, I can understand how one can be brought down low, especially where family is concerned. I can understand how dark thoughts can creep in and make you think things you have never thought previously. I can understand how they can change one's view of the world, and make you want to run away to go die somewhere - maybe not actively, but certainly live with less passion and vigor. Luke's journey resonated with me in a way I did not expect - and I loved this movie for it. I didn't want Luke to have left the Force, but I understand why he did, and his comeback had such a deeper impact, as a result. Some of our friends had a similar viewpoint. None of us is immune to loss - TLJ reminded us that the true heroes emerge from the depths stronger than ever."