Speaking from a purely feminist point of view, I think it is horribly misogynistic that Caspian has a crush and goes on to do great deeds, have a happy marriage and generations of great Kings (right down to the last King of Narnia) while Susan has a crush that makes her lose her Faith! It's just another form of the sexist concept of: romance is just a part of a man's life while romance is a woman's whole life.
What ever gave you the idea that Susan's minor crush on Caspian was so important that her faith in Narnia was lost
because of it? I never said this. I said that her crush
added to her maturity which took full swing in TLB, that's all. Nothing sexist about it. And by the way, I
hate feminism.
But that is irrelevant because the fact is you, like Phillip Pullman, have completely misunderstood that portion of the Last Battle. If maturing sexually was all it took for someone to fall out of Narnia...
Wait wait, hold on, now you've got a strawman. I never said this was "
all it took" to lose faith. I didn't say that. I said it added on to it. It
reinforced it. It certainly did not
cause anything.
...then - to state the obvious - the first King and Queen won't have been a married couple and Aravis's and Shasta's stories won't have ended with them getting married. The whole point of Susan's estrangement from Narnia, as Lady Polly said, was that Susan had become immature and not mature, sexual or otherwise. I have honestly never understood how people keep making this mistake.
Yes, the point of not being mature is present, but only to a certain view. Lewis, as well as others, could indeed say that such "maturity" in Susan is in fact
immaturity because it implies that she would rather go with the world than with her old beliefs. Contrary to this, however, she left belief in a world called Narnia, not "Christianity" or some other "faith" which Lewis wishes to describe it being the same as. I understand that this is what Lewis was trying to say, but I disagree with him. Having the faith of a child like Mark 10:15 says still doesn't contradict 1 Corinthians 13:11:
"When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things."
That's where I disagree with Lewis, and where I think he went wrong. Not to say that Narnia was "childish" (since it was actually a real place), but that Susan was getting on with her life, while the others seemed to want to go back everyday, having no real care for our world as much as they did for Narnia.
And once again, you are defining humanity = being an ass. They are not the same thing. And by your definition, movie!Peter has more "humanity" than in the book, while movie!Edmund has no humanity at all because he is entirely perfect in all the things he does.
No, that's not what I think. "Being an ass" is a far cry from what Peter was in the movie. I can't understand why so many people here think he was. The scene between Peter and Caspian was a personal moment between the two which lasted for
less than 30 seconds.
Afterward, in the cave with the hag and the wolf, they both made their peace with each other, both knowing that it wasn't either of their faults, or else
both of their faults. One way or another, they acknowledged that they were in this together. I can't understand why no one noticed this in the film and why everyone's focusing on the bad, never the good.
As for Edmund being "perfect" (which he wasn't, by the way), Edmund was simply made a "lighter" character as compared with the old Edmund of LWW. You're also forgetting that
Edmund wasn't in charge, Peter was. He wasn't high king. His decisions weren't the final ones. The mentality of themselves as kings and queens was once again presented to them when they entered Narnia for the second time, and that mentality dictated that Peter was in charge of all decisions to be made, not Edmund or Caspian. Caspian was a new guy; a nobody as far as royalty went. Edmund wasn't "perfect," he just had no tough decisions to make like he had in the first story.
But in the books, Susan did have angst, Edmund made mistakes and Lucy fell out with her siblings. Aslan even reprimanded Lucy for not following him the first time she saw him. In the movies, all these characters end up having less flaws than they do in the movies.
What exactly were these "blatant mistakes" that Edmund made in the book? What decisions did he have that Peter didn't? What choices did he make that would lower his favor in the reader's eye? I have no recollection of anything like this when reading. You're thinking of LWW.
You say, "Aslan even reprimanded Lucy for not following him the first time she saw him." Correct.
He also did this in the film. "Susan's angst"? I'm seriously trying to remember anything that could be called "angst," and given to anyone, even Susan. Because I don't remember any "angst" that the kids had in the books. I recall them all acting pretty... storybook-like in the books, with no true emotional stances on anything, except Lucy's love for Aslan. That's about it. They didn't have less flaws or more, unnecessary flaws in the film than the book. Everything was just as it should've been, just as the actual world would have dictated it to be.
As I said before, if you hate the characters and stories and think C. S. Lewis was writing about a bunch of Mary Sues, that's your choice...
I never said he wrote "
about a bunch of Mary Sues." I said he
wrote a bunch of Mary Sues. And yes, I did hate the book. I thought it dragged egregiously, and that the children had no incorporated emotional feelings about anything except the fact that "Lucy loves Aslan" (which I mentioned already). And I read it before I saw the movie. I hoped dearly that they would change the movie from the book and my hope paid off.
...but none of his heroes were perfect - from Peter to Jill, all his characters learned and grew along with the story. I find it hard to believe that anyone can read the Narnia books and not see how each of the children end the story with a fundamental lesson about themselves and God.
Of course the
bad characters grew emotionally, that's one of the major points of the Narnia books. The problem is that Lewis can't seem to write dynamic characters that already possess a good-natured heart. Lewis writes Peter, Lucy, and Susan, and then never gets any farther than Peter, Lucy, and Susan. The same ensues with Jill. Jill is a good-hearted girl, so what does Lewis do? Nothing. He keeps her that way, and never strays from her original character. She never openly sins, she never make any morally wrong choices. Neither do Peter or Lucy. Susan is the perhaps the only good-hearted person in the series that turns into someone who makes wrong choices. I give Lewis props for such a step. Lewis only changes the character's nature if that nature is a bad one. He
changes Edmund; he
changes Eustace. If the character already possesses a good heart, he leaves him/her as is.
Now, I'm
not saying "Everyone should make bad choices! They should all be sinful, stupid, and unrefined." That's not what I'm saying. I'm just saying he should have given the characters more depth than their good-nature, like what Adamson and the writers did with everyone else. The primary rule of storytelling dictates there must be a situation, a problem to add to it, and a solution/end-note to that problem. The end may be happy or tragic, but it must be an ending. And this rule not only applies to the story itself, but the characters' personalities, unless the character is meant to be unchanging, but that's another long lecture.
A "lesson at the end" as far as the book goes is clearly present. No question. Peter and Susan have grown out of Narnia (which proves my previous point about "putting away childish things"). Some wish to believe the "spiritual" message is presented in the center of the storyline, saying that Narnia has to "believe" once again in hope and in Aslan (God) and everything'll be fine. I don't find this a very clear teaching as the latter, but let's say it's true for the sake of argument.
Where were these messages
not presented in the film? I saw the first as clearly as I did in the book; the second I saw later after reading a bit more on PC's "spiritual themes." The point I'm making is that the essence of the
Prince Caspian book, as far as the lessons and characters go, was presented in a new and better light when shown in the movie. Sure, the romp was removed (thank the Lord), but the lessons and the storyline weren't. That's what really mattered, and that's where I think Adamson and co. got it right.