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C.S. Lewis

Editorial: A Divine Tactfulness

There are Narnia fans, on the explicitly Christian side of the house, who are just a little uneasy about elements in the recent movie which seemed, if only slightly, to diminish Aslan’s status as Deity. To them I would say, “Have confidence in Douglas Gresham’s hand at the helm.” I believe that Mr. Gresham, and those who pay heed to him, are trying to be diplomatic about Aslan’s identity as Christ. What I mean by that–what I believe they have in mind–is something with Scriptural precedent.

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Movies & TV

Gregory Peck: The First Aslan

“We needed to find a way to model the performance to create the essence of the noble, all-powerful lion,” explained Dean Wright, the film’s Oscar-nominated visual effects supervisor, “So we used Gregory Peck in ‘To Kill a Mockingbird.’ His Atticus Finch performance has some of the same regal qualities we wanted, so we used frames of Peck from that film to create movements for Aslan. That helped us build our library of movements, emotions and expressions so that when Liam gave his performance, it gelled perfectly with our Aslan.”

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Chronicles of Narnia

Narnia’s new Dawn

In the cavernous dining room of Cliveden House in Berkshire, southern England, Dawn French, encased in a Yum-Yum haircut and a silk trouser suit, looks like an ornament brought back from an expedition to the Orient.

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Movies & TV

Is Aslan the King of Kings?

The Lion, the Witch and the Wardrobe is a beloved children’s book about four British schoolchildren who pass through a wardrobe into a magic land where a witch has made it always winter and never Christmas. There they meet Aslan, the lion of the title, who offers his own life to the witch to atone for the treachery of one of the siblings.

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