[Evanescence’s Amy] Lee has also been working on music for the upcoming film “The Chronicles of Narnia: The Lion, the Witch & the Wardrobe,” inspired by the children’s book by C.S. Lewis. The dark and morose tale, about four children who discover a magical land in the clutches of an evil witch, not only was a childhood favorite of Lee’s, but its aesthetic suits the gothic-leaning singer perfectly.

From the Official Site: Welcome to issue two of the official newsletter for The Chronicles of Narnia: The Lion, The Witch and The Wardrobe. Between now the film’s opening on December 9, 2005, you will receive monthly newsletter updates that will serve as your gateway into all things Narnis to keep you informed and up-to-date about everything related to the film. Welcome and enjoy all the latest Narnia news from both sides of the wardrobe.

Well, it’s really not that new. It’s the old artwork with the new logo attached to it. It’s a really nice poster image though.

Mooney added that Disney would tie in video games to movies, and potentially launch games before films to help promote them, as with “The Chronicles of Narnia,” a new movie franchise that Disney will launch next year based on the books by C.S. Lewis.

The Selwyn District Council is vehemently denying accusations it gave the makers of the film The Lion, the Witch and the Wardrobe special permission to destroy “outstanding natural landscapes”.

Maverick, a no name wolfdog rescue from New Jersey, who used to live at Full Moon Farm on the outskirts of Black Mountain, is a movie star. Several months ago Maverick was adopted by Gentle […]

Leo of NarniaFilms.nl sent us this news:
Sandro Kopp (an extra in LOTR:TTT and LOTR:ROTK) seems to be the latest addition to the cast of The Lion, The Witch and the Wardrobe. Got it from the horse’s mouth himself so to say 😉

Set Builder Pete MacKinnon, who constructed all twelve sections of the set with his team of three carpenters over three months, estimates that he used over 4500 sticks, all “between finger thickness and leg thickness,” to create the set. Each stick had to be individually “beaver-ized,” to eliminate all machine cuts, and every screw holding the set together had to be hidden while at the same time maintaining structural integrity. “It was a bit like making giant wicker baskets,” says MacKinnon.