On the heels of receiving a Golden Globe Nomination for Best Dramatic Score for his work for NARNIA: THE LION, THE WITCH, AND THE WARDROBE, Tracksounds is able to speak with composer, Harry Gregson-Williams about his epic score, working with director Andrew Adamson, and even the influence (or lack thereof) of Howard Shore’s work for THE LORD OF THE RINGS. […]
Here are some new details of the Narnia Score that streets on December 13. The 2-Disc Special Edition is looking better and better as time goes on. […]
On October 2, 2005, a reunion of sorts was held at Disneyland’s Plaza Gardens to help celebrate Disneyland’s 50th Anniversary. And who better to relive that anniversary than some of the Mouseketeers who were there on opening day at Disneyland on July 17, 1955. […]
Film Composer Harry Gregson-Williams has scored Ridley Scott’s recent release “Kingdom of Heaven” and completed scores for two new releases; Tony Scott’s “Domino” as well as “The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe” by director Andrew Adamson at his new production facility, Wavecrest Music. […]
“I’m doing a bit of music in advance of the main score, as there are a couple of moments where one of the characters plays a flute or pipe, and they need music to shoot to.” […]
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