Thanks to “TheWhiteWolf”, and a site called “The Technos Guild,” we can confirm that Prince Caspian will be shot in Auckland, New Zealand during February and March 2007. After shooting wraps in New Zealand, filming moves for a heftier four months of production in Prague, Czech Republic. We’re not sure if the shoot will move to Ireland, as was rumor. […]
New Zealand film-makers shooting a $US100 million screen version of British author CS Lewis’s fantasy adventure The Chronicles of Narnia are facing a fine for breaching conditions negotiated with Czech authorities. […]
From information of daily press you could estimate that Tisá where the film about Narnia is beeing shooted is surrounded by a cordon of guards and so the journalists are unlucky. It is both truth and lie. Our newspaper Ústecký weekly can show off with something special, you can see the cast and people around from the strictly guarded area.†We proclaimed you to be a cuckoo of the yearâ€, I was praised by a colleague when I phoned to him from the centre of shooting on Tuesday afternoon. […]
Shooting of the movie The Chronicles of Narnia: The Lion, The Witch and The Wardrobe in Tisa, in the region of Usti nad Labem, is just about ready to start. Even Andrew Adamson, director of the movie, already checked the place.
Tisa – the stone city in Tisa is all covered by a beautifull half meter high blanket of snow. And that is right the thing what is need for the snow scenes of the long expected movie. The preparations are in the full swing. We can assume even because of the nervosity of the security. […]
Production on The Lion, The Witch and the Wardrobe moved down to the Czech Republic this month. Pictures from what exactly they are doing down there are now up at a (Czech) website. […]
The interior of Mr. Tumnus’ house, as illustrated by Pauline Baynes for Lewis’ book, included two lounge chairs, a dining table, a mantle and fireplace, a bookshelf and hutch. Filmmaker Adamson has imagined a setting very similar in his collaborations with production designer Roger Ford and set decorator Kerrie Brown. […]
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