Narnia Production Blog #8: Richard Taylor Part I

Weta Workshop on Prince Caspian

For “The Chronicles of Narnia: Prince Caspian,” Weta Workshop was excited to have the chance to return to Narnia once again with Andrew Adamson. Having provided design services and armor and weaponry for The Lion, the Witch and the Wardrobe, the opportunity to revisit and build upon our previous work in this wonderful world was one we looked forward too.

Narnia had changed since both we and the Pevensie children had last visited. While elements of the Narnia we knew were still present, a whole new culture had to be designed and created and even the familiar Narnians had changed and required new work.

Weta Workshop provided new design work in the form of environmental concepts and armor and weaponry designs, working closely with Director Andrew Adamson and the Los Angeles creative team leaders, Production Designer Roger Ford and Costumer Designer Isis Mussenden. The Pevensie children required new elements to compliment their royal gear from the first adventure and the look of the Narnians’ armor and weapons had to be evolved in a new direction since we last saw it. In addition the Telmarine culture had to be conceived from scratch and a great deal of work was done in the quest to find their unique design signature.

Weta’s armor and weapons departments were kept busy turning these concepts into reality and in sufficient numbers to arm two opposing armies. For the Telmarines Weta made two-hundred polearms in two different styles, two-hundred rapiers of varying design, over a hundred falchions, two-hundred and fifty shields and fifty-five crossbows. The Telmarine cavalry were equipped with soft shields and stunt gear for use with live horses. Weta made stunt-safe horse faceplates for the warhorses and sculpted unusual faceplate helmets for the soldiers.

Befitting rulers of a vast kingdom, Miraz and his lords needed special weaponry. Weta created individual swords, scabbards and sculpted faceplate helmets for the featured lords including Glozelle, who also had a beautiful dagger. Miraz himself had a special shield, sword, scabbard, full plate armor and an ornate faceplate helmet.

Hero Prince Caspian needed a sword, a variant of the Royal guard swords made, while Weta also made prop weapons for specific scenes, including a crossbow for Prunaprismia’s room.

Among the children’s equipment, which had to be refitted and restored after The Lion, the Witch and the Wardrobe, Weta made new armor for Edmund and a new vambrace for Susan.

Even Reepicheep, who would be a digital character, required an exquisite little sword to be made by Weta at life size.

Read the rest of the article at the production blog!